The Church of Saint-Roch is a late Baroque church built between 1653 and 1740. In 1521, the tradesman Jean Dinocheau had a chapel built on the outskirts of Paris, which he dedicated to Saint Susanna. In 1577, his nephew Etienne Dinocheau had it extended into a larger church. In 1629, it became the parish church and thereafter underwent further work. The first stone of the church of Saint-Roch was laid by Louis XIV in 1653, accompanied by his mother Anne of Austria. Originally designed by Jacques Lemercier, the building's construction was halted in 1660 and was resumed in 1701 under the direction of architect Jacques Hardouin-Mansart, brother of the better-known Jules Hardouin-Mansart. Work was finally completed in 1754.
At the time of the French Revolution, the church of Saint-Roch was often at the centre of events and was the scene of many shootings which have left their mark on the façade. 13 Vendémiaire was one such occasion, this was pivotal in the rise of Napoleon. It was not only the outside of the church that was damaged. During the Revolution it was ransacked, and many works of art were stolen or destroyed. Amongst the missing paintings was one of Dinocheau, a generous donor, who built the first church on this spot.
The church is organized as a series of chapels. One of them is dedicated to Saint Susanna in memory of the church which used to stand in its place. Accordingly, there is a mural painting above the altar, showing Saint Susanna fleeing her attackers, and looking up to the heavens for the help of God. The church is also notable as a result of the marriage there of the Marquis de Sade on May 17, 1763.
Notable tombs in the church included those of Denis Diderot, the Baron d'Holbach, Henri de Lorraine-Harcourt, Pierre Corneille, André le Nôtre, Marie Anne de Bourbon (daughter of Louis XIV) and Marie-Thérèse Rodet Geoffrin.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.