The Benedictine Abbey of Saint-Germain-des-Prés was the burial place of Merovingian kings of Neustria. The Abbey was founded in the 6th century by Childebert I, the son of Clovis I (ruled 511–558). Under royal patronage the Abbey became one of the richest in France; it housed an important scriptorium in the 11th century and remained a center of intellectual life in the French Catholic church until it was disbanded during the French Revolution.
The church was frequently plundered and set on fire by the Normans in the 9th century. It was rebuilt in 1014 and rededicated in 1163 by Pope Alexander III to Saint Germain of Paris, the canonized Bishop of Paris and Childeric"s chief counsellor. A new refectory was built for the monastery by Peter of Montereau in around 1239 - he was later the architect of the Sainte-Chapelle.
The abbey church"s west end tower was pierced by a portal, completed in the 12th century, which collapsed in 1604 and was replaced in 1606 by the present classicising portal, by Marcel Le Roy. Its choir, with its apsidal east end, provides an early example of flying buttresses. An explosion of saltpetre in storage levelled the Abbey and its cloisters, the statues in the portal were removed (illustration) and some destroyed, and in a fire in 1794 the library vanished in smoke.
Until the late 17th century, the Abbey owned most of the land in the Left Bank west of the current Boulevard Saint-Michel and had administrative autonomy in it, most clearly for the part outside the walls of Paris.
The tomb of philosopher René Descartes is located in one of the church"s side chapels.References:
The Cloth Hall in Kraków dates to the Renaissance and is one of the city's most recognizable icons. It is the central feature of the main market square in the Kraków Old Town (listed as a UNESCO World Heritage Site since 1978).
The hall was once a major centre of international trade. Traveling merchants met there to discuss business and to barter. During its golden age in the 15th century, the hall was the source of a variety of exotic imports from the east – spices, silk, leather and wax – while Kraków itself exported textiles, lead, and salt from the Wieliczka Salt Mine.
Kraków was Poland's capital city and was among the largest cities in Europe already from before the time of the Renaissance. However, its decline started with the move of the capital to Warsaw in the very end of the 16th century. The city's decline was hastened by wars and politics leading to the Partitions of Poland at the end of the 18th century. By the time of the architectural restoration proposed for the cloth hall in 1870 under Austrian rule, much of the historic city center was decrepit. A change in political and economic fortunes for the Kingdom of Galicia and Lodomeria ushered in a revival due to newly established Legislative Assembly or Sejm of the Land. The successful renovation of the Cloth Hall, based on design by Tomasz Pryliński and supervised by Mayor Mikołaj Zyblikiewicz, Sejm Marshal, was one of the most notable achievements of this period.
The hall has hosted many distinguished guests over the centuries and is still used to entertain monarchs and dignitaries, such as Charles, Prince of Wales and Emperor Akihito of Japan, who was welcomed here in 2002. In the past, balls were held here, most notably after Prince Józef Poniatowski had briefly liberated the city from the Austrians in 1809. Aside from its history and cultural value, the hall still is still used as a center of commerce.
On the upper floor of the hall is the Sukiennice Museum division of the National Museum, Kraków. It holds the largest permanent exhibit of the 19th-century Polish painting and sculpture, in four grand exhibition halls arranged by historical period and the theme extending into an entire artistic epoch. The museum was upgraded in 2010 with new technical equipment, storerooms, service spaces as well as improved thematic layout for the display.
The Gallery of 19th-Century Polish Art was a major cultural venue from the moment it opened on October 7, 1879. It features late Baroque, Rococo, and Classicist 18th-century portraits and battle scenes by Polish and foreign pre-Romantics.