Kerepesi Cemetery is the most famous cemetery in Budapest. Founded in 1847, it is one of the oldest cemeteries in Hungary which has been almost completely preserved as an entity.
The cemetery's first burial took place some two years after its opening, in 1849. Since then numerous Hungarian notables (statesmen, writers, sculptors, architects, artists, composers, scientists, actors and actresses etc.) have been interred there, several of them in ornate tombs or mausoleums. This was encouraged by the decision of the municipal authorities to declare Kerepesi a 'ground of honour' in 1885. The first notable burial was that of Mihály Vörösmarty in 1855.
Until the 1940s, several tombs were removed to this cemetery from others in Budapest – for example, it is the fourth resting place of the poet Attila József.
The cemetery was declared closed for burials in 1952. This was partly because it had become damaged during World War II, and partly for political reasons, as the Communist government sought to play down the graves of those who had 'exploited the working class'. At one point it was intended to build a housing estate over the cemetery. Part of the grounds were in fact handed over to a nearby rubber factory and were destroyed in 1953.
In 1958, a Mausoleum for the Labour movement was created. During the Communist period (which lasted from 1948 till 1989 in Hungary) this was the only part of the cemetery highlighted or even mentioned by the authorities. After the fall of communism, Kerepesi was still considered by some as a Communist cemetery (for example a son of Béla Bartók forbade his father's ashes to be interred there).
The Salgotarjani Street Jewish Cemetery is actually the eastern corner of the Kerepesi Cemetery, but it is separated from it by a stone wall.References:
The Mosque–Cathedral of Córdoba, also known as the Great Mosque of Córdoba and the Mezquita is regarded as one of the most accomplished monuments of Moorish architecture.
According to a traditional account, a small Visigoth church, the Catholic Basilica of Saint Vincent of Lérins, originally stood on the site. In 784 Abd al-Rahman I ordered construction of the Great Mosque, which was considerably expanded by later Muslim rulers. The mosque underwent numerous subsequent changes: Abd al-Rahman II ordered a new minaret, while in 961 Al-Hakam II enlarged the building and enriched the Mihrab. The last of such reforms was carried out by Almanzor in 987. It was connected to the Caliph"s palace by a raised walkway, mosques within the palaces being the tradition for previous Islamic rulers – as well as Christian Kings who built their palaces adjacent to churches. The Mezquita reached its current dimensions in 987 with the completion of the outer naves and courtyard.
In 1236, Córdoba was conquered by King Ferdinand III of Castile, and the centre of the mosque was converted into a Catholic cathedral. Alfonso X oversaw the construction of the Villaviciosa Chapel and the Royal Chapel within the mosque. The kings who followed added further Christian features, such as King Henry II rebuilding the chapel in the 14th century. The minaret of the mosque was also converted to the bell tower of the cathedral. It was adorned with Santiago de Compostela"s captured cathedral bells. Following a windstorm in 1589, the former minaret was further reinforced by encasing it within a new structure.
The most significant alteration was the building of a Renaissance cathedral nave in the middle of the expansive structure. The insertion was constructed by permission of Charles V, king of Castile and Aragon. Artisans and architects continued to add to the existing structure until the late 18th century.
The building"s floor plan is seen to be parallel to some of the earliest mosques built from the very beginning of Islam. It had a rectangular prayer hall with aisles arranged perpendicular to the qibla, the direction towards which Muslims pray. The prayer hall was large and flat, with timber ceilings held up by arches of horseshoe-like appearance.
In planning the mosque, the architects incorporated a number of Roman columns with choice capitals. Some of the columns were already in the Gothic structure; others were sent from various regions of Iberia as presents from the governors of provinces. Ivory, jasper, porphyry, gold, silver, copper, and brass were used in the decorations. Marvellous mosaics and azulejos were designed. Later, the immense temple embodied all the styles of Morisco architecture into one composition.
The building is most notable for its arcaded hypostyle hall, with 856 columns of jasper, onyx, marble, granite and porphyry. These were made from pieces of the Roman temple that had occupied the site previously, as well as other Roman buildings, such as the Mérida amphitheatre. The double arches were an innovation, permitting higher ceilings than would otherwise be possible with relatively low columns. The double arches consist of a lower horseshoe arch and an upper semi-circular arch.