Krakus Mound is thought to be the resting place of Krakow's mythical founder, the legendary King Krakus. It has the base diameter of 60 metres and the height of 16 metres. Together with nearby Wanda Mound, it is one of Krakow's two prehistoric mounds, and the oldest man-made structure in Krakow. Nearby are also two other non-prehistoric, man-made mounds, Kościuszko Mound, constructed in 1823, and Piłsudski's Mound, completed in 1937.
The age and the original purpose of the mound remain a mystery, although religious and memorial purposes have been ascribed to the mounds. Excavations conducted in mid-1930s revealed that the mound consists of a solid wooden core covered with soil and turf. Some artifacts dating from between the 8th and 10th centuries were found inside, but no human remains or bones were discovered. According to another hypothesis the mound is of Celtic origin and dates from the 2nd-1st century BCE. Mythical origins are also connected to the mound. Krakus is said to have been constructed to honour the death of King Krakus when mourning townspeople filled their sleeves with sand and dirt and brought it to the site of the Krakus Mound to create a mountain that would rule over the rest of the landscape, as King Krakus had. Originally, four smaller mounds ringed the Krakus Mound, but they were demolished in the 19th century to create Krakow's city wall.
Similar to other ancient structures, such as Stonehenge, the Krakus Mound may have been constructed with astronomy in mind. If one stands on the Krakus Mound and looks towards Wanda Mound at sunrise on the morning of Beltane, the second-largest Celtic feast day, one will see the sun rise directly over Wanda Mound.
References:Rosenborg Palace was built in the period 1606-34 as Christian IV’s summerhouse just outside the ramparts of Copenhagen. Christian IV was very fond of the palace and often stayed at the castle when he resided in Copenhagen, and it was here that he died in 1648. After his death, the palace passed to his son King Frederik III, who together with his queen, Sophie Amalie, carried out several types of modernisation.
The last king who used the place as a residence was Frederik IV, and around 1720, Rosenborg was abandoned in favor of Frederiksborg Palace.Through the 1700s, considerable art treasures were collected at Rosenborg Castle, among other things items from the estates of deceased royalty and from Christiansborg after the fire there in 1794.
Soon the idea of a museum arose, and that was realised in 1833, which is The Royal Danish Collection’s official year of establishment.