The site occupied by St. Martin's Church (Sint-Maartenskerk) was already a place of worship in around 650 AD. Later a Romanesque church was built there, which was replaced by a Gothic church in the Middle Ages, built between 1390 and 1466. The Brabantine Gothic stone tower dates from 1439. But in 1862 the tower was struck by lightning and the wooden section was completely destroyed by fire. The spire was fully restored to its former glory over the next few years. The wooden spire houses a carillon with 49 bells. The church is a hall church comprising three aisles. The middle choir, two side choirs and the St. Anna chapel were rebuilt in Neo-Gothic styles after being destroyed by fire in 1862.
The church possesses many hidden treasures. Its showpiece has to be the Triptych of the Holy Spirit by Bernard de Rijckere from 1587: a Pentecostal scene featuring the baptism of Jesus and the creation of Adam. The unique 6,5 metre-high Sacraments Tower from 1585 cannot fail to impress.
Valuable church items including the 16th century chasubles and antependia (hangings for the altar), are classed as Flemish masterpieces. It was decided to turn St. Eloois chapel (1450) into a treasury to preserve these pieces in an optimal manner. The treasury is open to the public at regular hours.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.