Our Lady of Leliendaal Church was originally owned by the Norbertine St. Michael's Abbey in Antwerp. The architect was Lucas Faydherbe, he came from Mechelen, was the nephew of Lucas Franchoys the Younger and studied with Peter Paul Rubens in Antwerp. In 1662, the foundation stone was laid. Construction was delayed on multiple occasions, because the façade tilted dangerously forward. Therefore, in 1664, the façade was demolished and rebuilt. In 1670, the first Mass was said and in 1674 it was solemnly inaugurated.
In the early 19th century, during the Napoleanic wars, the church was seriously neglected and half of it was turned into a hospice for the poor of the city. The furnishings were sold and holes were made in the gables for people to be able to see out and over the church to help defend it against attack. A wall was placed in the church between the second and third windows for the establishment of an infirmary.
In 1834, it re-opened under the administration of the Jesuits. Through the cooperation of the nearby Minor Seminary and the Civil Hospices, it was restored and equipped with new furniture and the internal walls were removed. In 1900-1901, the Jesuits changed the floor plan and moved the choir to the gallery in the west of the church. Later in the 20th-century, a sacristy was constructed in the south west part of the church. Also, a grotto to Our Lady of Lourdes was built and new furniture was purchased.
References:The ancient Argos Theater was built in 320 BC. and is located in Argos, Greece against Larissa Hill. Nearby from this site is Agora, Roman Odeon, and the Baths of Argos. The theater is one of the largest architectural developments in Greece and was renovated in ca 120 AD.
The Hellenistic theater at Argos is cut into the hillside of the Larisa, with 90 steps up a steep incline, forming a narrow rectilinear cavea. Among the largest theaters in Greece, it held about 20,000 spectators and is divided by two landings into three horizontal sections. Staircases further divide the cavea into four cunei, corresponding to the tribes of Argos A high wall was erected to prevent unauthorized access into the theatron and may have helped the acoustics, but it is said the sound quality is still very good today.
Around 120 CE, both theaters were renovated in the Roman style.