The three-nave Romanesque Koper Cathedral with three apses was built in the second half of the 12th century. The Romanesque construction is preserved on the south side, where typical funnel-shape windows are intact and the stonework is imitated in the facade. Towards the west the church was extended to the bell tower and in 1392 it was Gothicized. The lower floor facade by the square has remained Gothic. The upper floor was redone with pilaster separations after the fire in 1460. The decorative Renaissance elements are the most distinctive on the west side, built in 1488, and in the chiselled details, such as the portals.
In the middle of the square, right next to the west façade, stands a mighty self-supporting bell tower repaired as a city tower in the 15th century. It has four main floors. The upper is open on all sides by quadra-forums. Higher up is a terrace and an ending with an Aquileian cap. In the bell tower hangs one of the oldest bells in Slovenia (1333). It was cast by Master Jakob in Venice. The upper terrace is periodically open and offers a great view of the Bay of Trieste. The clock, positioned in the middle of the third floor, faces the square.
In the first half of the 18th century the interior was unified and arranged, and the hall was remade in Baroque style under the influence of Venetian origins into one of the largest church interiors in Slovenia. The church has had additional fittings. The work was directed by the architect Giorgio Massari. Among the interior fittings are numerous quality paintings of artists from Venice. There are more works by the even more famous artists Benedetto and Vittoreo Carpaccio. On the south side in the middle of the church hangs the Sacra Conversatione by V. Carpaccio from 1516, one of the best Renaissance paintings in Slovenia. It was painted for the of altar St. Rochus.
Among the sculptural works of art, a chiselled sarcophagus of St. Nazarius from the middle of the 14th century holds a special position, behind the altar. The image of the adored bishop is chiselled on the cover; on the circumference are the miracles of that patron of the city.
References:Rosenborg Palace was built in the period 1606-34 as Christian IV’s summerhouse just outside the ramparts of Copenhagen. Christian IV was very fond of the palace and often stayed at the castle when he resided in Copenhagen, and it was here that he died in 1648. After his death, the palace passed to his son King Frederik III, who together with his queen, Sophie Amalie, carried out several types of modernisation.
The last king who used the place as a residence was Frederik IV, and around 1720, Rosenborg was abandoned in favor of Frederiksborg Palace.Through the 1700s, considerable art treasures were collected at Rosenborg Castle, among other things items from the estates of deceased royalty and from Christiansborg after the fire there in 1794.
Soon the idea of a museum arose, and that was realised in 1833, which is The Royal Danish Collection’s official year of establishment.