The Basilica of the National Shrine of the Immaculate Conception is the largest Catholic church in the United States and North America, one of the ten largest churches in the world, and the tallest habitable building in Washington, D.C. Construction of this church, notable for its Neo-Byzantine architecture, began in 1920 under Philadelphia contractor John McShain. It opened unfinished in 1959. An estimated one million pilgrims visit the basilica each year.
The basilica is designated both as the national and patronal Catholic Church of the United States, honoring the Virgin Mary, under the title Immaculate Conception, by which Pope Pius XI donated a mosaic of the same image in 1923.
The basilica houses 70 chapels honoring Mary and reflecting the origins of the Catholic immigrants and religious orders whose generosity erected them. Its Greek-styled interior is crowned with numerous domes decorated in mosaics, similar to the Basilica of St. Mark in Venice, Italy, but much larger. The mosaics feature American renditions of traditional Catholic images. Artist Jan Henryk De Rosen, who presided over the shrine's iconography committee was also responsible for much of its decor, including composing the large mosaic over the northern apse.
The exterior of the basilica is 152m long, 73m wide, and 72 m tall to the top of the cross on the dome. The shrine was built in the style of medieval churches, relying on masonry walls and columns in place of structural steel and reinforced concrete. It was designed to hold 10,000 worshipers.
In all, 70 chapels and sacred images flank the sides of the upper church and crypt. It contains many works of art. There are arches outlined with iridescent Pewabic Pottery tile, large ceramic medallions set in the ceiling, and fourteen Stations of the Cross for the crypt.
References:Rosenborg Palace was built in the period 1606-34 as Christian IV’s summerhouse just outside the ramparts of Copenhagen. Christian IV was very fond of the palace and often stayed at the castle when he resided in Copenhagen, and it was here that he died in 1648. After his death, the palace passed to his son King Frederik III, who together with his queen, Sophie Amalie, carried out several types of modernisation.
The last king who used the place as a residence was Frederik IV, and around 1720, Rosenborg was abandoned in favor of Frederiksborg Palace.Through the 1700s, considerable art treasures were collected at Rosenborg Castle, among other things items from the estates of deceased royalty and from Christiansborg after the fire there in 1794.
Soon the idea of a museum arose, and that was realised in 1833, which is The Royal Danish Collection’s official year of establishment.