The Basilica of Notre-Dame de Fourvière was built with private funds between 1872 and 1884 in a dominant position overlooking the city of Lyon. The basilica, which offers guided tours and contains a Museum of Sacred Art, receives 2 million visitors annually. At certain times, members of the public may access the basilica's north tower for a spectacular 180-degree view of Lyon and its suburbs. On a clear day, Mont Blanc, the highest point in Europe, can be seen in the distance.
The site it occupies was once the Roman forum of Trajan. Fourvière is dedicated to the Virgin Mary, to whom is attributed the salvation of the city of Lyon from the bubonic plague, the Black Death, that swept Europe in 1643.
The design of the basilica, by Pierre Bossan, draws from both Romanesque and Byzantine architecture, two non-Gothic models that were unusual choices at the time. It has four main towers, and a belltower topped with a gilded statue of the Virgin Mary. It features fine mosaics, superb stained glass, and a crypt of Saint Joseph. Fourvière actually contains two churches, one on top of the other. The upper sanctuary is very ornate, while the lower is a much simpler design. Work on the triumphant basilica was begun in 1872 and finished in 1884. Finishing touches in the interior were not completed until as late as 1964.
Fourvière has always been a popular place of pilgrimage. There has been a shrine at Fourvière dedicated to Our Lady since 1170. The chapel and parts of the building have been rebuilt at different times over the centuries, the most recent major works being in 1852 when the former steeple was replaced by a tower surmounted by a golden statue of the Virgin Mary sculpted by Joseph-Hugues Fabisch (1812-1886).
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.