Musée Réattu is an art museum in Arles, housing paintings, including works by Arles-born painter Jacques Réattu, drawings by Picasso, as well as sculptures and a large collection of photographs.
The museum is housed in the former Grand Priory of the Order of Malta, built in the late 15th century. The building was acquired in 27 parts between 1796 and 1827 by Jacques Réattu, who lived and worked there. Upon his death in 1833, Réattu's daughter Élisabeth Grange inherited the building and her father's collections. The Museum was officially created in 1868, initially featuring the collections and the works of Jacques Réattu. In the 1950s, at the time of the renovations of the building, modern art began entering the collections. Initiated by Lucien Clergue and Jean-Maurice Rouquette in 1965, the foundation of the department of photography was the first of its kind in an arts museum in France. In 1971, Pablo Picasso donated 57 of his recent drawings to the Musée Réattu.
The museum owns 800 paintings and drawings by Jacques Réattu. Twelve exhibition rooms are dedicated to his own works, his collections (mainly 17th century paintings), as well as works by friends, relatives and collaborators, like The Couturiers workshop painted by his uncle Antoine Raspal in the 1780s. Three rooms are dedicated to Picasso and one room to photography. The collections also include contemporary sculptures by César, Richier, Bourdelle, Zadkine and modern paintings by Dufy, Vlaminck and Prassinos, among others.
The collection of photographs comprised over 4,000 works in 2001. Initial gifts by photographers including Richard Avedon, Cecil Beaton, Man Ray, Peter Beard, Werner Bischof, Izis, William Klein and Jean Dieuzaide, as well as by collectors, were followed from 1970 onwards by photographs donated by the artists attending the Rencontres d'Arles.References:
The Broch of Gurness is an Iron Age broch village. Settlement here began sometime between 500 and 200 BC. At the centre of the settlement is a stone tower or broch, which once probably reached a height of around 10 metres. Its interior is divided into sections by upright slabs. The tower features two skins of drystone walls, with stone-floored galleries in between. These are accessed by steps. Stone ledges suggest that there was once an upper storey with a timber floor. The roof would have been thatched, surrounded by a wall walk linked by stairs to the ground floor. The broch features two hearths and a subterranean stone cistern with steps leading down into it. It is thought to have some religious significance, relating to an Iron Age cult of the underground.
The remains of the central tower are up to 3.6 metres high, and the stone walls are up to 4.1 metres thick.