Padua Cathedral

Padua, Italy

Padua Cathedral is the third structure built on the same site. The first one was erected after the Edict of Milan in 313 and destroyed by an earthquake on 3 January 1117. It was rebuilt in Romanesque style: the appearance of the medieval church can be seen in the frescoes by Giusto de' Menabuoi in the adjoining baptistery.

The design of the existing cathedral is sometimes attributed to Michelangelo, but in fact it was the work of Andrea della Valle and Agostino Righetto, and has much in common with earlier Paduan churches. Although construction work began on the new Renaissance building in 1551, it was only completed in 1754, leaving the façade unfinished.

Exterior

The Basilica stands between the Episcopal palace and the Baptistery. It is a Latin cross with three bays and an octagonal dome. The dome of the Glory covered in lead. Two sacristies adjoin the presbytery, one for the Canons and the other for the Prebendati. Between the Prebendati sacristy and the transept is the bell tower. The side doors open a small courtyard for the presbytery and on the Via Duomo, by the carriage entrance to the Episcopal palace. On the bell tower is a plaque from the Roman era that mentions the Gens Fabia of Veio, a title in the history of Padua from 49 B.C.

The unfinished facade The facade onto which open the three portals and incomplete. According to the plans of Gerolamo Frigimelica and Preti would have had to open an airy atrium of access and on the upper floor, a solemn loggia, in the style of the Roman basilicas; in facade a great classic pediment supported by six mighty semi columns of the Corinthian order. Second architect to connect atrium, the loggia and the episcopal palace, would open a ramp covered, on the right, which was left unfinished. During the First World War a bomb hits the upper part of the facade. A small rose opening was created during the restoration.

Interior

The nave is flanked by an aisle on each side. The aisles are harmoniously matched with the nave. The central nave has two large elliptical domes, matched to the chapels of St. Gregory Barbarigo and San Lorenzo Giustiniani. A large circular dome rises over the crossing. Chapels line the side aisles. Under the presbytery, the crypt is the Chapel of Santa Cross.

References:

Comments

Your name

Website (optional)



Details

Founded: 1551
Category: Religious sites in Italy

More Information

en.wikipedia.org

Rating

4.4/5 (based on Google user reviews)

User Reviews

P Vangastel (16 months ago)
The statue of Jesus is a powerful interpretation (1996) by Giulio Vangi: a young, blond and verile figure staring the audience right in the eye. The altar, also by Vangi, depicts various figures incorporated in a masterpiece of various marbles; in particular the statue of Saint Anthony preaching to the fish!! The facade of the cathedral ("duomo") is left unfinished, but together with the battistero next to a major monument of beauty, spirituality and history.
Cristian Bulzan (17 months ago)
It is important edifice. Evangelist Luca can be found here.
Nilesh Dodiyar (18 months ago)
Simple in it's beauty but wonderful for spending some time in silence.
Luigi R. Bedin (2 years ago)
Great to have kids playing in front of it. The battistero on side is a must see place of padua
Anri Erinin (2 years ago)
Quiet place for a sunny day off season...
Powered by Google

Featured Historic Landmarks, Sites & Buildings

Historic Site of the week

Medieval Walls of Avila

The city walls of Avila were built in the 11th century to protect the citizens from the Moors. They have been well maintained throughout the centuries and are now a major tourist attraction as well as a UNESCO World Heritage Site. Visitors can walk around about half of the length of the walls.

The layout of the city is an even quadrilateral with a perimeter of 2,516 m. Its walls, which consist in part of stones already used in earlier constructions, have an average thickness of 3 m. Access to the city is afforded by nine gates of different periods; twin 20 m high towers, linked by a semi-circular arch, flank the oldest ones, Puerta de San Vicente and Puerta del Alcázar.