The Villa Giovannelli Colonna is a rural palace which was commissioned in the late 17th century by the Giovanelli family to the architect Antonio Gaspari.
In 1738 Andrea Giovanelli and his brother Benedetto decorated the facade of the Villa with the festive Pronaos and a precious entrance stairway by Giorgio Massari. On the balustrades are six allegorical statues representing the five senses: the Belvedere (sight/male), Il Odorato (smell/male), Il Tatto (touch/female), L'Udire (hearing/female), Il Gusto (taste/female) which are observed by La Ragione. They were executed by Antonio Tarsia, Antonio Gai and by the brothers Paolo and Giuseppe Groppelli.
The interior is frescoed by Sebastiano Ricci and Giuseppe Angeli, who also did the frescos in Villa Widmann-Foscari. The frescos were changed when Federico Giovanelli, Patriarch of Venice, took over the villa. His brothers Giovanni Benedetto and Giovanni Paolo Giovannelli commissioned two large canvases by Luca Carlevarijs. The gardens consist of labyrinths and designs.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.