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Founded: 12th centuryCategory: Palaces, manors and town halls in Germany
Historical period: Hohenstaufen Dynasty (Germany)
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Schloss Rheydt is a Renaissance palace in Mönchengladbach. Over the years the building has been the family seat of various noble families, including the Bylandt-Rheydt dynasty that ruled over Rheydt for over 300 years and gave the palace its present look.
Originally a castle dating from 1060, the palace has evolved over the years to become the palace it is today. The castle's first documented mention dates to 1180, made by the Cologne Archbishop Philip I when he mentioned revenues that were to be collected from the then castle owner, the Lord of Rheydt, in his correspondence. The first Lord of the castle mentioned by name is William of Heppendorf.
Otto von Bylandt had the existing exterior facade created by Maximilian Pasqualini (1534–1572), son of the Italian architect Alessandro Pasqualini. Pasqualini renovated in the style of his father, adding casemates and bastionsand creating a moat around the palace. Pasqualini also considerably renovated the interior by adding fireplaces, statues and various paintings. Most of Pasqualini's work remains in a very good condition.
Throughout the 19th century the palace changed hands many times, however the owners were unable to maintain the palace due to the upkeep costs. Gradually the palace fell into disrepair. The palace was purchased by the town of Rheydt from the last private owner in 1917. Since then the palace has undergone some restoration (1988–1993) and vast parts of Schloss Rheydt have been converted into museum areas and reopened.
References:The Church of the Savior on Spilled Blood is one of the main sights of St. Petersburg. The church was built on the site where Tsar Alexander II was assassinated and was dedicated in his memory. Construction began in 1883 under Alexander III, as a memorial to his father, Alexander II. Work progressed slowly and was finally completed during the reign of Nicholas II in 1907. Funding was provided by the Imperial family with the support of many private donors.
Architecturally, the Cathedral differs from St. Petersburg's other structures. The city's architecture is predominantly Baroque and Neoclassical, but the Savior on Blood harks back to medieval Russian architecture in the spirit of romantic nationalism. It intentionally resembles the 17th-century Yaroslavl churches and the celebrated St. Basil's Cathedral in Moscow.
The Church contains over 7500 square metres of mosaics — according to its restorers, more than any other church in the world. The interior was designed by some of the most celebrated Russian artists of the day — including Viktor Vasnetsov, Mikhail Nesterov and Mikhail Vrubel — but the church's chief architect, Alfred Alexandrovich Parland, was relatively little-known (born in St. Petersburg in 1842 in a Baltic-German Lutheran family). Perhaps not surprisingly, the Church's construction ran well over budget, having been estimated at 3.6 million roubles but ending up costing over 4.6 million. The walls and ceilings inside the Church are completely covered in intricately detailed mosaics — the main pictures being biblical scenes or figures — but with very fine patterned borders setting off each picture.
In the aftermath of the Russian Revolution, the church was ransacked and looted, badly damaging its interior. The Soviet government closed the church in the early 1930s. During the Second World War when many people were starving due to the Siege of Leningrad by Nazi German military forces, the church was used as a temporary morgue for those who died in combat and from starvation and illness. The church suffered significant damage. After the war, it was used as a warehouse for vegetables, leading to the sardonic name of Saviour on Potatoes.
In July 1970, management of the Church passed to Saint Isaac's Cathedral (then used as a highly profitable museum) and proceeds from the Cathedral were funneled back into restoring the Church. It was reopened in August 1997, after 27 years of restoration, but has not been reconsecrated and does not function as a full-time place of worship; it is a Museum of Mosaics. Even before the Revolution it never functioned as a public place of worship; having been dedicated exclusively to the memory of the assassinated tsar, the only services were panikhidas (memorial services). The Church is now one of the main tourist attractions in St. Petersburg.