Fort Carré is a 16th-century star-shaped fort of four arrow-head shaped bastions, that stands on the outskirts of Antibes.
The Romans probably built the first fortifications at Antibes. In 1553, a tower called la tour Saint-Florent was built around a pre-existing chapel. Henry III had four bastions added in 1565, whereupon it became Fort Carré (the squared fort).
In the 1680s, Vauban strengthened Fort Carré, adding traverses to protect against ricochet fire and exchanging the stone parapets, which were liable to scatter deadly splinters when hit by shot, for brick ones. Vauban also enlarged the embrasures and added outer walls to the fortification.
Later, the fort's design was modified to take eighteen cannon. The entrance to the fort is through a triangular work that protrudes from the walls, and which is loopholed and pierced by a heavy wooden door. From here, there is a narrow bridge that leads into the fort itself via the flank of one of the arrow-headed bastions. Inside, there are barrack buildings for officers and men as well as the ancient chapel, which has been preserved through the successive stages of military development of the site.
In addition to improving the defences of Fort Carré, Vauban fortified Antibes itself, adding a land front of four arrow-headed bastions around the town, as well as seaward fortifications, including a bastion on the breakwater closing the harbor.
During the French Revolution, Napoleon Bonaparte was briefly imprisoned here. In July 1794, after the violent overthrow of Robespierre, General Bonaparte was detained as a Jacobin sympathizer and held in Fort Carré for ten days. His friend and political ally, Antoine Christophe Saliceti, secured his release. Then in 1860, the fort played an important role when France annexed Nice.
Today Fort Carré is open to the public.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.