Lousonna was a Gallo-Roman port during Roman times. The port town was important for commerce with links on Lake Geneva to Roman towns such as the present-day Geneva, Nyon, and Villeneuve.
However, during Roman times, Lausanne was never of political or military importance. Although borders shifted, Lausanne was mostly a backwater at the southern most parts of Germania, ruled from Mainz. Political and military power in the region was concentrated in Avenches and Yverdon-les-Bains.
From the fourth century onwards, Lausanne gradually moved uphill to higher grounds with the Roman port town eventually abandoned. Today, the Roman ruins are some way from the lakeshore, as the level of Lake Geneva was permanently lowered during the nineteenth century. The immediate area is used for various sport facilities and a great area for outdoor activities and strolls along the shores of the lake.
The Musée Romain in Lausanne-Vidy is a fairly small museum on Roman history. The ground floor of the museum, which is built over the foundations of a Roman villa, is used for temporary exhibitions. These exhibitions can cover much more than just the Roman era. As this area is half the museum, the theme and quality of the display very much influence whether the museum is worth visiting at all. Fortunately, the displays are generally excellent and manage to link historic themes well with the present day.
A short walk from the Roman Museum – pass underneath the highway towards the lake – is the Lausanne Roman Archaeological Park. Here many Roman foundations have been uncovered. Visitors can freely explore the archaeological park. Information tables explain the Roman town layout and buildings. The temple was a good 71 m long but the antique port wall is probably the more impressive.References:
Royal Palace of Naples was one of the four residences near Naples used by the Bourbon Kings during their rule of the Kingdom of the Two Sicilies (1734-1860): the others were the palaces of Caserta, Capodimonte overlooking Naples, and the third Portici, on the slopes of Vesuvius.
Construction on the present building was begun in the 17th century by the architect Domenico Fontana. Intended to house the King Philip III of Spain on a visit never fulfilled to this part of his kingdom, instead it initially housed the Viceroy Fernando Ruiz de Castro, count of Lemos. By 1616, the facade had been completed, and by 1620, the interior was frescoed by Battistello Caracciolo, Giovanni Balducci, and Belisario Corenzio. The decoration of the Royal Chapel of Assumption was not completed until 1644 by Antonio Picchiatti.
In 1734, with the arrival of Charles III of Spain to Naples, the palace became the royal residence of the Bourbons. On the occasion of his marriage to Maria Amalia of Saxony in 1738, Francesco De Mura and Domenico Antonio Vaccaro helped remodel the interior. Further modernization took place under Ferdinand I of the Two Sicilies. In 1768, on the occasion of his marriage to Maria Carolina of Austria, under the direction of Ferdinando Fuga, the great hall was rebuilt and the court theater added. During the second half of the 18th century, a 'new wing' was added, which in 1927 became the Vittorio Emanuele III National Library. By the 18th century, the royal residence was moved to Reggia of Caserta, as that inland town was more defensible from naval assault, as well as more distant from the often-rebellious populace of Naples.
During the Napoleonic occupation the palace was enriched by Joachim Murat and his wife, Caroline Bonaparte, with Neoclassic decorations and furnishings. However, a fire in 1837 damaged many rooms, and required restoration from 1838 to 1858 under the direction of Gaetano Genovese. Further additions of a Party Wing and a Belvedere were made in this period. At the corner of the palace with San Carlo Theatre, a new facade was created that obscured the viceroyal palace of Pedro de Toledo.
In 1922, it was decided to transfer here the contents of the National Library. The transfer of library collections was made by 1925.
The library suffered from bombing during World War II and the subsequent military occupation of the building caused serious damage. Today, the palace and adjacent grounds house the famous Teatro San Carlo, the smaller Teatrino di Corte (recently restored), the Biblioteca Nazionale Vittorio Emanuele III, a museum, and offices, including those of the regional tourist board.