San Andrés church was built in the quarter of Ajates (a suburb of mediaeval origin in which the main trade was masonry) in the second quarter of the 12th century. It was made in Caleno granite (very typical of the Romanesque style in the town) and is set according to liturgical criteria with an upper end with three apses that correspond to the three naves in the interior; it does not have a transept nave. The protruding central apse is of particular interest thanks to the number of figures and capitals and the closed arches on the straight section of the upper end, which stand as a unique example of Romanesque capitals. The variety of icons on the interior and exterior capitals is the largest of all of Ávila's Romanesque buildings and is associated with the Masters of León. The central apse has two absidioles of a smaller size and a plainer composition.
The upper end is covered with decreasing stepped vaults: barrel vaults along the straight section and calotte vaults along the curved section. The southern absidiole has a lobulated arch used as the entrance and unparalleled in any other church in Ávila at the time.
The south front has a semi-circular window and the keystone of the semi-circular archivolt contains a Chi Rho which, fitted in the 13th century, is considered as the first of its kind in the town. The tower stands next to the western side, built onto the nave during or after the 14th century.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.