San Nicolás church stands in the suburb of the same name outside the walls, a medieval quarter inhabited by Christians and dedicated to agriculture and sheep farming. It also had a large number of Mudejar residents. It was built in Caleno granite in the late-Romanesque style of Ávila between the second half of the 12th century and the beginning of the 13th. The upper end and porches remain from the original construction.
The three entrances take the form of semi-circular arches with archivolts. The northern entrance is the most ornamental and is decorated with wedges, palmettes and ivy leaves, which are very typical motifs on Romanesque churches in Zamora. The capitals of the archivolts have plant motifs.
The tower is built on to the upper end from the North. It is divided into three bodies and shows two periods of construction. A Vetton animal sculpture was reused for the plinth.
It has three naves: the central nave opens into a large apse and the side naves into rectangular chapels. Except for the upper end, the temple was covered with Baroque-style plasterwork in the 17th century.
References:Rosenborg Palace was built in the period 1606-34 as Christian IV’s summerhouse just outside the ramparts of Copenhagen. Christian IV was very fond of the palace and often stayed at the castle when he resided in Copenhagen, and it was here that he died in 1648. After his death, the palace passed to his son King Frederik III, who together with his queen, Sophie Amalie, carried out several types of modernisation.
The last king who used the place as a residence was Frederik IV, and around 1720, Rosenborg was abandoned in favor of Frederiksborg Palace.Through the 1700s, considerable art treasures were collected at Rosenborg Castle, among other things items from the estates of deceased royalty and from Christiansborg after the fire there in 1794.
Soon the idea of a museum arose, and that was realised in 1833, which is The Royal Danish Collection’s official year of establishment.