The Minčeta Tower was built by a local builder named Nicifor Ranjina and Italian engineers sent by Pope Pius II in 1463, at the height of the Turkish threat. Originally as a strong four-sided fort, it is the most prominent point in the defensive system towards the land. The tower's name derives from the name of the Menčetić family, who owned the ground upon which the tower was built. By its height and impressive volume, the tower dominates the northwestern high part of the city and its walls.

In the middle of the 15th century, around the earlier quadrilateral fort, Michelozzo built a new round tower using new warfare technique and joined it to the new system of low scarp walls. The full six-meter thick walls of the new tower had a series of protected gun ports. The architect and sculptor Giorgio da Sebenico of Zadar continued the work on the Minčeta tower. He designed and built the high narrow round tower while the battlements are a later addition. The tower was completed in 1464 and became the symbol of the unconquerable city of Dubrovnik.

After a long excavation, a 16th-century cannon foundry was discovered under Minčeta Tower. It is now a museum. Since Minčeta Tower is the highest point of the wall, it is considered to offer a seemingly 'unforgettable' view on the city.

References:

Comments

Your name



Details

Founded: 1463
Category: Castles and fortifications in Croatia

More Information

en.wikipedia.org

Rating

4.7/5 (based on Google user reviews)

User Reviews

Stevan Mrdak (18 months ago)
A unique and amazing place. Here is a unique experience of the past that provides an unforgettable experience through the present time. My warm recommendation to visit this city for which there are the most beautiful words of praise.
Ivan Vukovic (Dubrovnik tourist guide) (2 years ago)
The best photo op!
Ivana Sošić Antunović (2 years ago)
Fantastic strength and view!
Dino Kerin (2 years ago)
Beautiful view of the old town Dubrovnik.
Alex (3 years ago)
A military engineering marvel, as the rest of Dubrovnik's impressive defensive structures. As others have pointed out, offers some of the best views of the old city. If you are looking for a great picture here, make sure you come early in the morning in order to avoid crowds and get the perfect lighting from the sun.
Powered by Google

Featured Historic Landmarks, Sites & Buildings

Historic Site of the week

Saint-Eustache

The Church of St Eustace was built between 1532-1632. St Eustace"s is considered a masterpiece of late Gothic architecture. The church’s reputation was strong enough of the time for it to be chosen as the location for a young Louis XIV to receive communion. Mozart also chose the sanctuary as the location for his mother’s funeral. Among those baptised here as children were Richelieu, Jeanne-Antoinette Poisson, future Madame de Pompadour and Molière, who was also married here in the 17th century. The last rites for Anne of Austria, Turenne and Mirabeau were pronounced within its walls. Marie de Gournay is buried there.

The origins of Saint Eustache date back to 13th century. The church became a parish church in 1223, thanks to a man named Jean Alais who achieved this by taxing the baskets of fish sold nearby, as granted by King Philip Augustus. To thank such divine generosity, Alais constructed a chapel dedicated to Sainte-Agnès, a Roman martyr. The construction of the current church began in 1532, the work not being finally completed until 1637. The name of the church refers to Saint Eustace, a Roman general of the second century AD who was burned, along with his family, for converting to Christianity, and it is believed that it was the transfer of a relic of Saint Eustache from the Abbey to Saint-Denis to the Church of Saint Eustache which resulted in its naming. Jeanne Baptiste d"Albert de Luynes was baptised here.

According to tourist literature on-site, during the French Revolution the church, like most churches in Paris, was desecrated, looted, and used for a time as a barn. The church was restored after the Revolution had run its course and remains in use today. Several impressive paintings by Rubens remain in the church today. Each summer, organ concerts commemorate the premieres of Berlioz’s Te Deum and Liszt’s Christus here in 1886.

The church is an example of a Gothic structure clothed in Renaissance detail. The church is relatively short in length at 105m, but its interior is 33.45m high to the vaulting. At the main façade, the left tower has been completed in Renaissance style, while the right tower remains a stump. The front and rear aspects provide a remarkable contrast between the comparatively sober classical front and the exuberant rear, which integrates Gothic forms and organization with Classical details. The L"écoute sculpture by Henri de Miller appears outside the church, to the south. A Keith Haring sculpture stands in a chapel of the church.

The Chapel of the Virgin was built in 1640 and restored from 1801 to 1804. It was inaugurated by Pius VII on the 22nd of December, 1804 when he came to Paris for the coronation of Napoleon. The apse chapel, with a ribbed cul-de-four vault, has at its centre a sculpture of the Virgin and Child of Jean-Baptiste Pigalle that the painter Thomas Couture highlighted by three large paintings.

With 8,000 pipes, the organ is reputed to be the largest pipe organ in France, surpassing the organs of Saint Sulpice and Notre Dame de Paris. The organ originally constructed by P.-A. Ducroquet was powerful enough for the premiere of Hector Berlioz" titanic Te Deum to be performed at St-Eustache in 1855.