Fort Bourguignon (Fort Monsival) is one of many fortresses in Pula, Croatia that were built by the Austrian Empire in the second half of the 19th century. It was one of the last fortresses built that used inner fortification rings, forming an arc within a radius of 2.5 kilometres distance to protect the port.
It was named after the Austrian admiral Anton Bourguignon von Baumberg. The fortress was inspired by the 1820 fortress design of Archduke Maximilian of Austria-Este for protecting Linz, Austria. Pula's fortresses differ from the original Linz fortress in that older fortresses built between the years 1851-1855 are smaller and less well-fortified than the ones built ten years later, like Fort Bourguignon.
Originally called Fort Monsival, it was built from 1861 to 1866, as a two-story circled fortress with a small circular courtyard in the center.
It is not known when the fortress stopped being used as a fortification, but it was used during Third Italian War of Independence in 1866. Soon afterward, it was considered non-operational, but the damage on the roof shows that it was used during the First World War as an army shelter. In the 1970s, the protective channel was half filled with trash. Ten years later a group of young activists turned the fort into one of the two most popular places for rave parties on the southern Adriatic coast.
The hallway faces the yard and expands through every floor, while 20 casemates form the outer shell of the fortress. The fort has three embrasures on the lower floor for rifles, and one embrasure on the upper floor for a cannon. The ceiling is supported by massive oak beams, which once divided the two floors in each casemate. Only a few remain.
The roof of the fortress, which was able to rotate 360 degrees, served as a moving platform for artillery. The iron roof was probably constructed around the end of the 19th century.
The entrance into the Fort was protected by the drawbridge over a moat and two caponiers. A wall offers a gallery and embrasures for the rifles. The standard armament of Pula's fortresses, and probably also in Fort Bourguignon, was 305 mm weapons, the most famous Austrian cannon during the First World War.References:
Palacio Real de Aranjuez is a former Spanish royal residence. It was established around the time Philip II of Spain moved the capital from Toledo to Madrid. Aranjuez became one of four seasonal seats of government, occupied during the springtime (from about holy week). Thereafter, the court moved successively to Rascafría, El Escorial and wintered in Madrid. Aranjuez Cultural Landscape is an UNESCO World Heritage Site.
After the Christian conquest, Aranjuez was owned by the Order of Santiago and a palace was built for its Grand Masters where the Royal Palace stands today. When the Catholic Monarchs assumed the office of Grand Master of the Order of Santiago, Aranjuez became part of the Royal estate. This fertile land, located between the Tajo and Jarama Rivers, was converted into the Spanish monarchy"s most lavish country retreat: during Spain"s Golden Age, Aranjuez became a symbol for the perfection of nature by mortal hands, as El Escorial was for art.
Such excellence was based on strong Renaissance foundations, as Charles V envisaged this inherited estate as a large Italian-inspired villa, a desire continued by Philip II who appointed Juan Bautista de Toledo to design leafy avenues that ran through the gardens and farming land. A series of dams was constructed in the 16th century to control the course of the Tajo River and create a network of irrigation canals.
The splendour of the estate was only enhanced by the Bourbon monarchs, who would spend the whole spring, from Easter to July, at the Palace. Phillip V added new gardens and Ferdinand VI designed a new system of tree-lined streets and created a small village within the estate, which was further developed by Charles III and Charles IV. As Ferdinand VII and Isabella II continued to visit Aranjuez during the spring, the splendour of this site was maintained until 1870.
The Royal Palace, built by Phillip II on the site of the old palace of the Grand Masters of Santiago, was designed by the architect Juan Bautista de Toledo –under whom construction began in 1564– and later Juan Herrera, who only managed to finish half the project. Although glimpses of the original layout still remain, the building itself is more characteristic of the classicism favoured by the Hapsburg monarchs, with alternating white stone and brick. The original design was continued by Phillip V in 1715 but not finished until 1752 under Ferdinand VI. The rectangular layout that Juan Bautista de Toledo had planned, and that took two centuries to complete, was only maintained for 20 years, since in 1775 Charles III added two wings onto the Palace.
As the Prince of Asturias, Charles IV was a frequent visitor to the pier pavilions built by Ferdinand VI and grew up playing in the Prince’s Garden. When he became King, he decided to build a new country house at the far end of these gardens, known as the Casa del Labrador (the labourer"s house) due to its modest exterior that was designed to heavily contrast the magnificent internal decor. It was built by chief architect Juan de Villanueva and his pupil Isidro González Velázquez, who designed some of the interior spaces. These rooms, developed in various stages until 1808, are the greatest example of the lavish interior decor favoured by this monarch in his palaces and country retreats. Highlights at this Site include the combination of different types of art and the luxurious textiles, in particular the silks from Lyon, as well as wealth of original works on the main floor, where Ferdinand VII added various paintings and landscapes by Brambilla.
Phillip II, a great lover of gardens, paid special attention to this feature of the Aranjuez Palace: during his reign, he maintained both the Island Garden, designed by the architect Juan Bautista de Toledo, and the King"s Garden, immediately adjacent to the Palace and whose current layout was designed by Philip IV. The majority of the fountains on this island were commissioned by Phillip IV, while the Bourbons added other features such as the Charles III benches.
Phillip V made two French-style additions to the existing gardens: the Parterre Garden in front of the palace and the extension at the far end of the Island Garden, known as the Little Island, where he installed the Tritons Fountain that was later moved to the Campo del Moro park by Isabella II.
The Prince"s Garden owes its name and creation to the son and heir of Charles III who, in the 1770s, began to use Ferdinand VI"s old pier for his own enjoyment. He also created a landscaped garden in the Anglo-French style that was in fashion at the time and which was directly influenced by Marie Antoinette"s gardens at the Petit Trianon. Both Juan de Villanueva and Pablo Boutelou collaborated in the design of this garden.