The Basilica of St. Mary Formosa dates back to the 6th century. It is an exceptionally important Early Christian monument. Unfortunately, only the south chapel, shaped as a Greek cross, has been preserved.
Located in the south of the old town core, St. Mary Formosa is one of the most significant Early Christian monuments of the Byzantine art and architecture in Istria and Croatia. It was commissioned by Archbishop Maximianus of Ravenna from the vicinity of Rovinj, who also had San Vitale and San Appolinare in Classe erected, both in Ravenna.
The magnificent three-nave basilica was divided into three naves by columns, which interior rhythm was repeated on its exterior perimetral walls, the window division and blind arch lesenes. The sanctuary was completed by three polygonal arches and two side chapels next to it. Only the south chapel has been fully preserved until today, while the major part of the northern one was built into the neighbouring residential buildings.
The basilica's northern wall is today visible only as a fence surrounding the neighbouring garden. The chapel is designed as a Greek cross, one of which arms ends in a semi-circular axis, while its central part, the point where the two arms cross, is higher than the others. The sanctuary is covered by the quadro-pitched roof, while the remaining part of the structure has dual-pitched roofs. The exterior is simple, decorated by shallow lesenes, blind arches and semi-circular windows. It got ruined, especially during the 1242 fire at the time of the Venetian conquest of Pula. A large portion of its inventory was shipped to Venice, where it was used in building the St. Mark's Library or Sale delle quattro porte of the Doge's Palace.
In the late 16th century, the basilica was already in ruins.References:
Kroměříž stands on the site of an earlier ford across the River Morava. The gardens and castle of Kroměříž are an exceptionally complete and well-preserved example of a European Baroque princely residence and its gardens and described as a UNESCO World Heritage Site.
The first residence on the site was founded by bishop Stanislas Thurzo in 1497. The building was in a Late Gothic style, with a modicum of Renaissance detail. During the Thirty Years' War, the castle was sacked by the Swedish army (1643).
It was not until 1664 that a bishop from the powerful Liechtenstein family charged architect Filiberto Lucchese with renovating the palace in a Baroque style. The chief monument of Lucchese's work in Kroměříž is the Pleasure Garden in front of the castle. Upon Lucchese's death in 1666, Giovanni Pietro Tencalla completed his work on the formal garden and had the palace rebuilt in a style reminiscent of the Turinese school to which he belonged.
After the castle was gutted by a major fire in March 1752, Bishop Hamilton commissioned two leading imperial artists, Franz Anton Maulbertsch and Josef Stern, arrived at the residence in order to decorate the halls of the palace with their works. In addition to their paintings, the palace still houses an art collection, generally considered the second finest in the country, which includes Titian's last mythological painting, The Flaying of Marsyas. The largest part of the collection was acquired by Bishop Karel in Cologne in 1673. The palace also contains an outstanding musical archive and a library of 33,000 volumes.
UNESCO lists the palace and garden among the World Heritage Sites. As the nomination dossier explains, 'the castle is a good but not outstanding example of a type of aristocratic or princely residence that has survived widely in Europe. The Pleasure Garden, by contrast, is a very rare and largely intact example of a Baroque garden'. Apart from the formal parterres there is also a less formal nineteenth-century English garden, which sustained damage during floods in 1997.
Interiors of the palace were extensively used by Miloš Forman as a stand-in for Vienna's Hofburg Imperial Palace during filming of Amadeus (1984), based on the life of Wolfgang Amadeus Mozart, who actually never visited Kroměříž. The main audience chamber was also used in the film Immortal Beloved (1994), in the piano concerto scene.