The Plaza de toros de la Real Maestranza de Caballería de Sevilla is a 12,000-capacity bullring in Seville, Spain. During the annual Seville Fair in Seville, it is the site of one of the most well-known bullfighting festivals in the world. It is a part of the Real Maestranza de Caballería de Sevilla, a noble guild established for traditional cavalry training.
Construction began in 1749 of a circular ring on Baratillo Hill to replace the rectangular bullring that was previously located there. In 1761, the construction began to incorporate ochavas (each ochava being equivalent to four arches). The inner facade of the plaza (Palco del Príncipe) was completed in 1765. This 'box' consists of two parts: the access gate through which the successful bullfighters exit, and the theater box itself, which is reserved for the exclusive use of the Spanish Royal Family. The topmost part is composed of four arches over which is built a half-orange vault, whose topmost portion is covered by white and blue tiles. The sculptural group that concludes the composition is the work of the Portuguese sculptor Cayetano de Acosta. The Palco was built for the Infante de España, Felipe de Borbón, son of Felipe V and Isabel de Farnesio.
When Carlos III prohibited bullfighting celebrations in 1786, work on the sculptures was halted, even though only one-third of the plaza had been completed at the time.
After 34 years the cover of the launching slips of half of the ring was finished, to the left and right of the Palco del Príncipe; being easily viewed from the cathedral and the Giralda it was reflected in a great number of stamps of the time. By 1868 the Palco de la Diputación was in such a lamentable state that Italian sculptor Augusto Franchy undertook the improvement himself, building a new area with a marble balustrade and the crest of the Real Maestranza de Caballería. The construction of five balconies to each side of the Palco de la Diputación was also added where the ring's clock is currently situated. The construction of the ring was completed in 1881; two thirds was constructed in stone, with the remainder in wood.
Between 1914 and 1915 the stone grandstands were redone in brick under the direction of Sevillian architect Aníbal González. All the rows were reconstructed with a smoother slope. Ten to twelve rows of shaded seating were constructed as well as fourteen rows in the sun and three rows of barrier. A row of armchairs were built in the superior part of the shaded area, in front of the theater boxes.
References:The ancient Argos Theater was built in 320 BC. and is located in Argos, Greece against Larissa Hill. Nearby from this site is Agora, Roman Odeon, and the Baths of Argos. The theater is one of the largest architectural developments in Greece and was renovated in ca 120 AD.
The Hellenistic theater at Argos is cut into the hillside of the Larisa, with 90 steps up a steep incline, forming a narrow rectilinear cavea. Among the largest theaters in Greece, it held about 20,000 spectators and is divided by two landings into three horizontal sections. Staircases further divide the cavea into four cunei, corresponding to the tribes of Argos A high wall was erected to prevent unauthorized access into the theatron and may have helped the acoustics, but it is said the sound quality is still very good today.
Around 120 CE, both theaters were renovated in the Roman style.