Seville has many enclosed religious complexes, but few are accessible. This is one of them, a convent set up in 1475 and still home to 40 nuns. The public is welcome to enter through two different doors in the Calle Santa Paula. Knock on the brown one, marked number 11 to look at the convent museum. Steps lead to two galleries, crammed with religious paintings and artifacts. The windows of the second look onto the nuns' cloister. The nuns make a phenomenal range of marmalades and jams which visitors may purchase in a room near the exit.
Ring the bell by the brick doorway nearby to visit the convent church, reached by crossing a meditative garden. Its portal vividly combines Gothic arches, Mudejar brickwork, Renaissance medallion and ceramics by the Italian artist, Niculoso Pisano. Inside the nave has an elaborate wooden roof and there are some fine statues here of St John the Evangelist and St John the Baptist.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.