The Palace of the Marquesses of Fronteira was built in 1671 as a hunting pavilion to Dom João de Mascarenhas, 1st Marquis of Fronteira, who received his title from King Afonso VI of Portugal for his loyalty to the House of Braganza in the Portuguese Restoration War.
The house and the garden have glazed tiles representing different themes such as battles or monkeys playing trumpets. The Room of the Battles has panels representing scenes of the Portuguese Restoration War; one of them shows D. João de Mascarenhas fighting a Spanish general. The dining room is decorated with portraits representing some members of the Portuguese nobility, painted by artists such as Domingos António de Sequeira.
The chapel, dating from the end of the 16th century, is the oldest part of the palace. The façade is adorned with stones, shells, broken glass and porcelains. It seems that those pieces were used during the palace’s inauguration and were broken on purpose just not to be used again.
In spite of being the current residence of the Marquis of Fronteira some of the rooms, the library and the garden are open to public visits.
The palace garden, an area of 5,5 hectare, is adorned with Portuguese tiles with pictures that represent the different arts as well as mythological figures. The garden hedges are cut in order to represent the different year seasons. There is also a stone staircase which leads to a wall line with busts of the Kings of Portugal.
References:Visby Cathedral (also known as St. Mary’s Church) is the only survived medieval church in Visby. It was originally built for German merchants and inaugurated in 1225. Around the year 1350 the church was enlarged and converted into a basilica. The two-storey magazine was also added then above the nave as a warehouse for merchants.
Following the Reformation, the church was transformed into a parish church for the town of Visby. All other churches were abandoned. Shortly after the Reformation, in 1572, Gotland was made into its own Diocese, and the church designated its cathedral.
There is not much left of the original interior. The font is made of local red marble in the 13th century. The pulpit was made in Lübeck in 1684. There are 400 graves under the church floor.