Gustav III's Pavilion is a royal pavilion at the Haga Park. As a highlight in Swedish art history, the Pavilion is a fine example of the European neoclassicism of the late 18th century in Northern Europe. The pavilion was built in 1787 by the architect Olof Tempelman with detailed instructions from King Gustav III who was highly personally involved in the project, producing some basic designs himself and suggesting changes once the work was under way. Gustav III made use of the pavilion for a few years before his assassination (1792). After the death of him, Duke Charles used the pavilion as his temporary residence.
The pavilion has been restored two times, in the 1840s by King Oscar I and again between 1937 and 1946 under palace architect Ragnar Hjort. During this time, thanks to the discovery of original Masreliez designs for each room, it was possible to restore the interior to its original form.
The Sultan's Copper Tents, originally three buildings for the palace guard, designed by the painter Louis Jean Desprez and built during 1787 to 1790. Desprez proposed that all the façades of the buildings should be designed as three Turkish tents, clad in decoratively painted copper plate. However, tent façades were only built on the side facing the main lawns, which still gives the desired illusion of a sultan's encampment on the edge of the forest.
The middle tent was destroyed completely by fire in 1953. The front of the tent was rebuilt during 1962 to 1964 under the leadership of palace architect Ragnar Hjorth. The buildings behind the tent façades were rebuilt in 1977-1978, following plans by palace architect Torbjörn Olsson. He turned the stableyard, formerly open, into a tent room with a ceiling. Today the middle copper tent is home to the Haga Park Museum. The tent to the east houses a restaurant and the one on the western side is accommodation. The copper tents are a national monument and protected under law.
In 1996, the area comprising Ulriksdal, Haga Park, Brunnsviken and Djurgården became the world's first National City Park. The area is unique by virtue of its natural, cultural and recreational value and its direct proximity to a big city. Mainly administered by the Royal Djurgården Administration, the creation of the National City Park serves to strengthen the prospects of perpetuating the royal historic heritage spanning from Djurgården hunting park to the Gustavian parklands of Haga.References:
Les Invalides is a complex of buildings containing museums and monuments, all relating to the military history of France, as well as a hospital and a retirement home for war veterans, the building"s original purpose. The buildings house the Musée de l"Armée, the military museum of the Army of France, the Musée des Plans-Reliefs, and the Musée d"Histoire Contemporaine, as well as the burial site for some of France"s war heroes, notably Napoleon Bonaparte.
Louis XIV initiated the project in 1670, as a home and hospital for aged and unwell soldiers: the name is a shortened form of hôpital des invalides. The architect of Les Invalides was Libéral Bruant. The enlarged project was completed in 1676, the river front measured 196 metres and the complex had fifteen courtyards. Jules Hardouin Mansart assisted the aged Bruant, and the chapel was finished in 1679 to Bruant"s designs after the elder architect"s death.
Shortly after the veterans" chapel was completed, Louis XIV commissioned Mansart to construct a separate private royal chapel referred to as the Église du Dôme from its most striking feature. Inspired by St. Peter"s Basilica in Rome, the original for all Baroque domes, it is one of the triumphs of French Baroque architecture. The domed chapel is centrally placed to dominate the court of honour. It was finished in 1708.
Because of its location and significance, the Invalides served as the scene for several key events in French history. On 14 July 1789 it was stormed by Parisian rioters who seized the cannons and muskets stored in its cellars to use against the Bastille later the same day. Napoleon was entombed under the dome of the Invalides with great ceremony in 1840. In December 1894 the degradation of Captain Alfred Dreyfus was held before the main building, while his subsequent rehabilitation ceremony took place in a courtyard of the complex in 1906.
The building retained its primary function of a retirement home and hospital for military veterans until the early twentieth century. In 1872 the musée d"artillerie (Artillery Museum) was located within the building to be joined by the Historical Museum of the Armies in 1896. The two institutions were merged to form the present musée de l"armée in 1905. At the same time the veterans in residence were dispersed to smaller centres outside Paris. The reason was that the adoption of a mainly conscript army, after 1872, meant a substantial reduction in the numbers of veterans having the twenty or more years of military service formerly required to enter the Hôpital des Invalides. The building accordingly became too large for its original purpose. The modern complex does however still include the facilities detailed below for about a hundred elderly or incapacitated former soldiers.