The church of St. Eulalia in Beiro is a benchmark and example of Galician rural Romanesque, as it retains much of its original appearance. Given the similarity with the gate of the Claustra Nova, it can be dated at the early 13th century.
The main gate (with a doorway added centuries later) has two semicircular archivolts with vegetal decoration with a clear Matean influence, as well as the capitals. The original tympanum is not preserved but its support is; in it we can see some monstrous animal heads. On the gate, eaves are supported by largely figurative corbels, highlighting a man sitting with a book and another one drinking from a barrel.
The apse is divided into five parts, although one is partially covered by the sacristy. At the top and as a finish, an Agnus Dei. The corbels that support the roof contain figurative elements, animal ones (like the monkey that covers its ears) and vegetal ones. The windows are semicircular with checkered arches and supported by a pair of columns and figurative and vegetal capitals.
On the north side, a molded gate. In the impost we find a curious decoration, the body of a snake, while the tympanum represents a wolf.
In the interior, with a single nave plan and a semicircular apse, the Romanesque decoration focuses on the capitals. The one on the gospel side with four gryphons, a motif repeated in the apse window; the one in the epistle has vegetal decoration. A barrel vault covers the chancel, whose 16th-century coffered ceilings stand out.References:
Royal Palace of Naples was one of the four residences near Naples used by the Bourbon Kings during their rule of the Kingdom of the Two Sicilies (1734-1860): the others were the palaces of Caserta, Capodimonte overlooking Naples, and the third Portici, on the slopes of Vesuvius.
Construction on the present building was begun in the 17th century by the architect Domenico Fontana. Intended to house the King Philip III of Spain on a visit never fulfilled to this part of his kingdom, instead it initially housed the Viceroy Fernando Ruiz de Castro, count of Lemos. By 1616, the facade had been completed, and by 1620, the interior was frescoed by Battistello Caracciolo, Giovanni Balducci, and Belisario Corenzio. The decoration of the Royal Chapel of Assumption was not completed until 1644 by Antonio Picchiatti.
In 1734, with the arrival of Charles III of Spain to Naples, the palace became the royal residence of the Bourbons. On the occasion of his marriage to Maria Amalia of Saxony in 1738, Francesco De Mura and Domenico Antonio Vaccaro helped remodel the interior. Further modernization took place under Ferdinand I of the Two Sicilies. In 1768, on the occasion of his marriage to Maria Carolina of Austria, under the direction of Ferdinando Fuga, the great hall was rebuilt and the court theater added. During the second half of the 18th century, a 'new wing' was added, which in 1927 became the Vittorio Emanuele III National Library. By the 18th century, the royal residence was moved to Reggia of Caserta, as that inland town was more defensible from naval assault, as well as more distant from the often-rebellious populace of Naples.
During the Napoleonic occupation the palace was enriched by Joachim Murat and his wife, Caroline Bonaparte, with Neoclassic decorations and furnishings. However, a fire in 1837 damaged many rooms, and required restoration from 1838 to 1858 under the direction of Gaetano Genovese. Further additions of a Party Wing and a Belvedere were made in this period. At the corner of the palace with San Carlo Theatre, a new facade was created that obscured the viceroyal palace of Pedro de Toledo.
In 1922, it was decided to transfer here the contents of the National Library. The transfer of library collections was made by 1925.
The library suffered from bombing during World War II and the subsequent military occupation of the building caused serious damage. Today, the palace and adjacent grounds house the famous Teatro San Carlo, the smaller Teatrino di Corte (recently restored), the Biblioteca Nazionale Vittorio Emanuele III, a museum, and offices, including those of the regional tourist board.