The Moika Palace or Yusupov Palace was once the primary residence of the House of Yusupov. The building was the site of Grigori Rasputin's murder in 1916. The palace was first built around 1770 by the French architect Jean-Baptiste Vallin de la Mothe. Over the years numerous well-known architects worked on the palace, and it is known for the hodgepodge of architectural styles. A. Mikhailov reconstructed the building in 1830-s when the Yusupov’s became owners of this palace . This time the modern appearance of the palace was formed.
From 1830 to 1917, the palace belonged to the House of Yusupov, an immensely wealthy family of Russian nobles, known for their philanthropy and art collections. Thus in the time of Imperial Russia, the palace became known as the Yusupov Palace. Fantastic and luxuries interiors of the palace were not inferior the royal palaces. More than 40,000 works of art including works by Rembrandt, jewelry, sculptures kept in the palace. Yusupov collection was nationalized and placed into the Hermitage and other museums.
The palace is most famous, however, because of the actions of its last prince Felix Yusupov. He was thought to be even as rich as the tsar. In Russia Yusupov owned 57 palaces, including four in St. Petersburg. The palace on the Moika was the prince’s favorite residence in the capital. The exact events surrounding Rasputin's death are much in dispute. The story, according to Yusupov, is that on the night of December 16, 1916 he, along with Grand Duke Dmitri Pavlovich of the House of Romanov, invited Grigori Rasputin to the Moika Palace. Supposedly, they served Rasputin cakes and red wine laced with cyanide — supposedly enough poison to kill five men. Concerned that Rasputin appeared unaffected, Yusupov retrieved a gun and shot Rasputin in the back. Taking him for dead, the party prepared to leave. Yusupov returned a short while later to find Rasputin still alive. He and his conspirators shot Rasputin, at close range, three more times, but Rasputin was still attempting to stand back up and flee. Desperate they clubbed Rasputin in the head repeatedly with an iron bar, wrapped him in a blanket, walked outside and tossed him into the Moika River. His autopsy supposedly found that neither the poison, nor the multiple gunshot wounds, nor the clubbing caused his death — instead he died of hypothermia. Much of the account, from Yusupov, is considered implausible.
The Russian Revolution followed shortly after Rasputin's death and once the Soviets came to power, they confiscated the property of the nobles. In 1925, the palace was handed over to the city's Education Commissariat. While most nobles' palaces were converted to mundane use, the Education Commissariat decided to preserve the mansion as a public museum. Today the palace serves as a Palace of Culture for Educators and it also functions as a museum to Rasputin's murder. The courtyard where Rasputin attempted to flee from his killers is now occupied by a kindergarten playground adjacent to the palace.References:
Lübeck Cathedral is a large brick-built Lutheran cathedral in Lübeck, Germany and part of the Lübeck UNESCO World Heritage Site. In 1173 Henry the Lion founded the cathedral to serve the Diocese of Lübeck, after the transfer in 1160 of the bishop's seat from Oldenburg in Holstein under bishop Gerold. The then Romanesque cathedral was completed around 1230, but between 1266 and 1335 it was converted into a Gothic-style building with side-aisles raised to the same height as the main aisle.
On the night of Palm Sunday (28–29 March) 1942 a Royal Air Force bombing raid destroyed a fifth of the town centre. Several bombs fell in the area around the church, causing the eastern vault of the quire to collapse and destroying the altar which dated from 1696. A fire from the neighbouring cathedral museum spread to the truss of the cathedral, and around noon on Palm Sunday the towers collapsed. An Arp Schnitger organ was lost in the flames. Nevertheless, a relatively large portion of the internal fittings was saved, including the cross and almost all of the medieval polyptychs. In 1946 a further collapse, of the gable of the north transept, destroyed the vestibule almost completely.
Reconstruction of the cathedral took several decades, as greater priority was given to the rebuilding of the Marienkirche. Work was completed only in 1982.
The cathedral is unique in that at 105 m, it is shorter than the tallest church in the city. This is the consequence of a power struggle between the church and the guilds.
The 17 m crucifix is the work of the Lübeck artist Bernt Notke. It was commissioned by the bishop of Lübeck, Albert II. Krummendiek, and erected in 1477. The carvings which decorate the rood screen are also by Notke.
Since the war, the famous altar of Hans Memling has been in the medieval collection of the St. Annen Museum, but notable polyptychs remain in the cathedral.
In the funeral chapels of the southern aisle are Baroque-era memorials by the Flemish sculptor Thomas Quellinus.