Smolny Convent (Voskresensky) is a Russian Orthodox convent built to house Elizabeth, the daughter of Peter the Great. After she was disallowed succession to the throne, she opted to become a nun. However her Imperial predecessor, Ivan VI was overthrown during a coup d'état (carried out by the royal guards in 1741). Elizabeth then decided against entering monastic life and accepted the offer of the Russian throne and work on the convent continued with her royal patronage.
The convent's main church, a blue-and-white building, is considered to be one of the architectural masterpieces of the Italian architect Francesco Bartolomeo Rastrelli, who also redesigned the Winter Palace, and created the Grand Catherine Palace (Yekaterininsky) in Tsarskoye Selo, the Grand Palace in Peterhof and many other major St. Petersburg landmarks. The Cathedral is the centerpiece of the convent, built by Rastrelli between 1748 and 1764. The projected bell-tower was to become the tallest building in St. Petersburg and, at the time, all of Russia. Elizabeth's death in 1762 prevented Rastrelli from completing this grand design.
When Catherine II assumed the throne, it was found that the new Empress strongly disapproved of the baroque style, and funding that had supported the construction of the convent rapidly ran out. Rastrelli was unable to build the huge bell-tower he had planned and unable to finish the interior of the cathedral. The building was only finished in 1835 by Vasily Stasov with the addition of a neo-classical interior to suit the changed architectural tastes at the time. The Cathedral was consecrated on 22 July 1835; its main altar was dedicated to the Resurrection and the two side altars were dedicated to St. Mary Magdalene and Righteous Elizabeth. The church was closed by the Soviet authorities in 1923. It was looted and allowed to decay until 1982, when it became a Concert Hall.
Today, Smolny Cathedral is used primarily as a concert hall and the surrounding convent buildings house various offices and government institutions. In addition, the faculties of sociology, political science and international relations of the Saint Petersburg State University are located in some of the buildings surrounding the cathedral.References:
The Palazzo Colonna is a palatial block of buildings built in part over ruins of an old Roman Serapeum, and has belonged to the prestigious Colonna family for over twenty generations.
The first part of the palace dates from the 13th century, and tradition holds that the building hosted Dante in his visit to Rome. The first documentary mention notes that the property hosted Cardinal Giovanni and Giacomo Colonna in the 13th century. It was also home to Cardinal Oddone Colonna before he ascended to the papacy as Martin V (1417–1431).
With his passing, the palace was sacked during feuds, and the main property passed into the hands of the Della Rovere family. It returned to the Colonna family when Marcantonio I Colonna married Lucrezia Gara Franciotti Della Rovere, the niece of pope Julius II. The Colonna"s alliance to the Habsburg power, likely protected the palace from looting during the Sack of Rome (1527).
Starting with Filippo Colonna (1578–1639) many changes have refurbished and create a unitary complex around a central garden. Architects including Girolamo Rainaldi and Paolo Marucelli labored on specific projects. Only in the 17th and 18th centuries were the main facades completed. Much of this design was completed by Antonio del Grande (including the grand gallery), and Girolamo Fontana (decoration of gallery). In the 18th century, the long low facade designed by Nicola Michetti with later additions by Paolo Posi with taller corner blocks (facing Piazza Apostoli) was constructed recalls earlier structures resembling a fortification.
The main gallery (completed 1703) and the masterful Colonna art collection was acquired after 1650 by both the cardinal Girolamo I Colonna and his nephew the Connestabile Lorenzo Onofrio Colonna and includes works by Lorenzo Monaco, Domenico Ghirlandaio, Palma the Elder, Salviati, Bronzino, Tintoretto, Pietro da Cortona, Annibale Carracci (painting of The Beaneater), Guercino, Francesco Albani, Muziano and Guido Reni. Ceiling frescoes by Filippo Gherardi, Giovanni Coli, Sebastiano Ricci, and Giuseppe Bartolomeo Chiari celebrate the role of Marcantonio II Colonna in the battle of Lepanto (1571). The gallery is open to the public on Saturday mornings.
The older wing of the complex known as the Princess Isabelle"s apartments, but once housing Martin V"s library and palace, contains frescoes by Pinturicchio, Antonio Tempesta, Crescenzio Onofri, Giacinto Gimignani, and Carlo Cesi. It contains a collection of landscapes and genre scenes by painters like Gaspard Dughet, Caspar Van Wittel (Vanvitelli), and Jan Brueghel the Elder.
Along with the possessions of the Doria-Pamphilij and Pallavacini-Rospigliosi families, this is one of the largest private art collections in Rome.