La Hougue Bie is a Neolithic ritual site which was in use around 3500 BC. Hougue is a Jèrriais/Norman language word meaning a 'mound' and comes from the Old Norse word haugr. The site consists of 18.6m long passage chamber covered by a 12.2m high mound. The site was first excavated in 1925 by the Société Jersiaise. Fragments of twenty vase supports were found along with the scattered remains of at least eight individuals. Gravegoods, mostly pottery, were also present. At some time in the past, the site had evidently been entered and ransacked.

In Western Europe, it is one of the largest and best preserved passage graves and the most impressive and best preserved monument of Armorican Passage Grave group. Although they are termed 'passage graves', they were ceremonial sites, whose function was more similar to churches or cathedrals, where burials were incidental. Since the excavations and restoration of the original entrance of the passage observations from inside the tomb at sunrise on the spring and autumn equinox have revealed that the orientation of the passage allows the sun's rays to shine through to the chamber entering the back recess of the terminal cell. Although many passage graves showed evidence of continued activity into the Late Neolithic period, La Hougue Bie was abandoned before that time.

On top of the mound were built two medieval chapels, one from the 12th century and the other from 16th century There is also a museum today.

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User Reviews

Caleb Jones (6 months ago)
Knowing that millions of people around the world would be watching in person and on television and expecting great things from him — at least one more gold medal for America, if not another world record — during this, his fourth and surely his last appearance in the World Olympics, and realizing that his legs could no longer carry him down the runway with the same blazing speed and confidence in making a huge, eye-popping leap that they were capable of a few years ago when he set world records in the 100-meter dash and in the 400-meter relay and won a silver medal in the long jump, the renowned sprinter and track-and-field personality Carl Lewis, who had known pressure from fans and media before but never, even as a professional runner, this kind of pressure, made only a few appearances in races during the few months before the Summer Olympics in Atlanta, Georgia, partly because he was afraid of raising expectations even higher and he did not want to be distracted by interviews and adoring fans who would follow him into stores and restaurants demanding autographs and photo-opportunities, but mostly because he wanted to conserve his energies and concentrate, like a martial arts expert, on the job at hand: winning his favorite competition, the long jump, and bringing home another Gold Medal for the United States, the most fitting conclusion to his brilliant career in track and field.
Ritch Emilee (7 months ago)
Older than the Pyramids! Fantastic place to see history that is older than history! Pretty much the best preserved passage grave in Europe.
Michael Mallalieu (7 months ago)
When we went it was at the end of the holiday season. It was very quiet not many people. I found it very interesting and moving especially the stone age burial where you could explore by yourself and the memorial to the people who built the tunnels and fortifications who died under the naxos very moving. If your going to visit jersey give this place a go and also the tunnels as well.
VALERIE PHILIPSON (9 months ago)
A very nice place. The tour guide was extremely informative and her talk was very easy to listen to, so many interesting points you may not pick up on by reading odd accounts. The museum was very good too.
Franklin MC (9 months ago)
Wonderful museum. Way more interesting than you'd expect, and very well put together. I would highly recommend if you are in Jersey for a few days - it's a lovely piece of local history.
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Featured Historic Landmarks, Sites & Buildings

Historic Site of the week

Reims Cathedral

Notre-Dame de Reims (Our Lady of Reims) is the seat of the Archdiocese of Reims, where the kings of France were crowned. The cathedral replaced an older church, destroyed by fire in 1211, that was built on the site of the basilica where Clovis was baptized by Saint Remi, bishop of Reims, in AD 496. That original structure had itself been erected on the site of some Roman baths. A major tourism destination, the cathedral receives about one million visitors annually.

History

Excavations have shown that the present building occupies roughly the same site as the original cathedral, founded c. 400 under the episcopacy of St Nicaise. That church was rebuilt during the Carolingian period and further extended in the 12th century. On 19 May 1051, King Henry I of France and Anne of Kiev were married in the cathedral.

On May 6, 1210 the cathedral was damaged by fire and reconstruction started shortly after, beginning at the eastern end. Documentary records show the acquisition of land to the west of the site in 1218, suggesting the new cathedral was substantially larger than its predecessors, the lengthening of the nave presumably being an adaptation to afford room for the crowds that attended the coronations. In 1233 a long-running dispute between the cathedral chapter and the townsfolk (regarding issues of taxation and legal jurisdiction) boiled over into open revolt. Several clerics were killed or injured during the resulting violence and the entire cathedral chapter fled the city, leaving it under an interdict (effectively banning all public worship and sacraments). Work on the new cathedral was suspended for three years, only resuming in 1236 after the clergy returned to the city and the interdict was lifted following mediation by the King and the Pope. Construction then continued more slowly. The area from the crossing eastwards was in use by 1241 but the nave was not roofed until 1299 (when the French King lifted the tax on lead used for that purpose). Work on the west facade took place in several phases, which is reflected in the very different styles of some of the sculptures. The upper parts of the facade were completed in the 14th century, but apparently following 13th century designs, giving Reims an unusual unity of style.

Unusually the names of the cathedral's original architects are known. A labyrinth built into floor of the nave at the time of construction or shortly after (similar to examples at Chartres and Amiens) included the names of four master masons (Jean d'Orbais, Jean-Le-Loup, Gaucher de Reims and Bernard de Soissons) and the number of years they worked there, though art historians still disagree over who was responsible for which parts of the building. The labyrinth itself was destroyed in 1779 but its details and inscriptions are known from 18th century drawings. The clear association here between a labyrinth and master masons adds weight to the argument that such patterns were an allusion to the emerging status of the architect (through their association with the mythical artificer Daedalus, who built the Labyrinth of King Minos). The cathedral also contains further evidence of the rising status of the architect in the tomb of Hugues Libergier (d. 1268, architect of the now-destroyed Reims church of St-Nicaise). Not only is he given the honor of an engraved slab; he is shown holding a miniature model of his church (an honor formerly reserved for noble donors) and wearing the academic garb befitting an intellectual.

The towers, 81 m tall, were originally designed to rise 120m. The south tower holds just two great bells; one of them, named “Charlotte” by Charles, Cardinal of Lorraine in 1570, weighs more than 10,000 kg.

During the Hundred Years' War the cathedral was under siege by the English from 1359 to 1360. After it fell the English held Reims and the Cathedral until 1429 when it was liberated by Joan of Arc which allowed the Dauphin Charles to be crowned king on 17 July 1429.

In 1875 the French National Assembly voted £80,000 for repairs of the façade and balustrades. The façade is the finest portion of the building, and one of the great masterpieces of the Middle Ages.

German shellfire during the opening engagements of the First World War on 20 September 1914 burned, damaged and destroyed important parts of the cathedral. Scaffolding around the north tower caught fire, spreading the blaze to all parts of the carpentry superstructure. The lead of the roofs melted and poured through the stone gargoyles, destroying in turn the bishop's palace. Images of the cathedral in ruins were used during the war as propaganda images by the French against the Germans and their deliberate destruction of buildings rich in national and cultural heritage. Restoration work began in 1919, under the direction of Henri Deneux, a native of Reims and chief architect of the Monuments Historiques; the cathedral was fully reopened in 1938, thanks in part to financial support from the Rockefellers, but work has been steadily going on since.

Exterior

The three portals are laden with statues and statuettes; among European cathedrals, only Chartres has more sculpted figures. The central portal, dedicated to the Virgin Mary, is surmounted by a rose window framed in an arch itself decorated with statuary, in place of the usual sculptured tympanum. The 'gallery of the kings' above shows the baptism of Clovis in the centre flanked by statues of his successors.

The facades of the transepts are also decorated with sculptures. That on the North has statues of bishops of Reims, a representation of the Last Judgment and a figure of Jesus (le Beau Dieu), while that on the south side has a modern rose window with the prophets and apostles. Fire destroyed the roof and the spires in 1481: of the four towers that flanked the transepts, nothing remains above the height of the roof. Above the choir rises an elegant lead-covered timber bell tower that is 18 m tall, reconstructed in the 15th century and in the 1920s.

Interior

The interior comprises a nave with aisles, transepts with aisles, a choir with double aisles, and an apse with ambulatory and radiating chapels. It has interesting stained glass ranging from the 13th to the 20th century. The rose window over the main portal and the gallery beneath are of rare magnificence.

The cathedral possesses fine tapestries. Of these the most important series is that presented by Robert de Lenoncourt, archbishop under François I (1515-1547), representing the life of the Virgin. They are now to be seen in the former bishop's palace, the Palace of Tau. The north transept contains a fine organ in a flamboyant Gothic case. The choir clock is ornamented with curious mechanical figures. Marc Chagall designed the stained glass installed in 1974 in the axis of the apse.

The treasury, kept in the Palace of Tau, includes many precious objects, among which is the Sainte Ampoule, or holy flask, the successor of the ancient one that contained the oil with which French kings were anointed, which was broken during the French Revolution, a fragment of which the present Ampoule contains.

Notre-Dame de Reims cathedral, the former Abbey of Saint-Remi, and the Palace of Tau were added to the list of UNESCO World Heritage Sites in 1991.