An obelisk was erected on Bréhon island in 1744 to serve as a sea mark. However the lack of visibility of the obelisk led to its replacement in 1824 by a tower 40 ft high and 34 ft in circumference, topped by a globe. During the tenure (1803-1813) of Lieutenant Governor General Sir John Doyle, there were plans to erect a guardhouse on Bréhon, but nothing came of these. Doyle was responsible, however, for substantial fortification efforts elsewhere in Guernsey, including the construction of the Martello towers of Fort Grey, Fort Saumarez, and Fort Hommet.
In the 1840s there was a renewed concern with France, with particular concern for the protection of Alderney and the other Channel Islands because of their strategic importance in the Channel. Lieutenant Governor Major-General Sir William Francis Patrick Napier proposed a number of works, including the establishment of a fort on Bréhon. In 1850 the British became concerned that the French had created fortifications at Cherbourg. This led to the construction of several towers and forts in the Channel area. The Alderney cutter Experiment was wrecked off Bréhon in March 1850. A review of Guerney's defences in 1852 recommended the construction of three artillery barracks, Fort Richmond, Fort Hommet, and Fort Le Marchant, the upgrading of Fort Doyle, and the construction of Bréhon Tower.
Work on Bréhon Tower commenced in 1854 and was completed in 1856. Bréhon Tower's role was to guard the shipping channel between Guernsey and Herm, and help protect the harbour of St Peter Port. The fort's footprint measures 65 feet by 85 feet (at the widest point), and the tower stands 34 feet high. The tower has three levels. The magazine, shell room, shifting room, stores, and fresh-water cistern were all on the ground floor. It also had latrines on the same floor, a Victorian innovation. The first floor contained the garrison's living quarters. The original plan was to put three heavy guns on the gun platform at the top, with five guns on the (second) floor below, sharing the 14 cannon ports. However, during construction the armament was cut back to three 68-pounder and two 10-inch shell guns, all on the gun platform.
By World War I the tower was obsolete and the War Office turned it over to the States of Guernsey. The garrison was originally to have consisted of two officers and 60 NCOs and other ranks, but with the reduction in armament, two officers and 30 men was deemed sufficient. During World War II, the Germans placed an anti-aircraft gun on the tower. This is credited with shooting down several allied planes, and one German plane, which crashed on Crevichon.
The Bréhon Tower is accessible only by boat.References:
The Cathedral of Limburg is one of the best preserved late Romanesque style buildings. It is unknown When the first church was built above the Lahn river. Archaeological discoveries have revealed traces of a 9th-century church building in the area of the current chapel. It was probably built in Merovingian times as a castle and the chapel added in the early 9th century.
In 910 AD, Count Konrad Kurzbold (cousin of the future King Konrad I) founded a collegiate chapter of 18 canons, who lived according to the rule of Bishop Chrodegang of Metz, on the hilltop site. The original castle chapel was torn down and a three-aisled basilica was built in its place. The foundations of this basilica have been found beneath the present floor.
The construction of current cathedral is dated to 1180-90. The consecration was performed in 1235 by the archbishop of Trier. It seems certain that the cathedral was built in four stages. The first stage encompassed the west facade, the south side aisle, the choir and the transept up to the matroneum. This section forms the Conradine church. The second stage consisted of the addition of the inner pillars of the south nave. In this stage the bound system was first introduced. In the third phase, the matroneum in the southern nave was built. The fourth stage included the north side of the transept and the choir matroneum. By this stage Gothic influence is very clear.
The interior was destroyed by Swedish soldiers during the Thirty Years War (1618-48) and reconstructed in a late Baroque style in 1749. The Baroque renovation was heavy-handed: the surviving medieval stained glass windows were replaced; all the murals were covered up; the ribs of the vaults and columns of the arcades were painted blue and red; the capstones were gilded; the original high altar was replaced. The colorfully painted exterior was coated in plain white and the central tower was extended by 6.5 meters.
The collegiate chapter of Limburg was dissolved in 1803 during the Napoleonic period, but then raised to the rank of cathedral in 1827 when the bishopric of Limburg was founded. Some renovations in contemporary style followed: the walls were coated white, the windows were redone in blue and orange (the heraldic colors of the Duke of Nassau) and towers were added to the south transept (1865).
Further changes came after Limburg was incorporated into the Kingdom of Prussia in 1866. It was now the Romantic period and the cathedral was accordingly restored to an idealized vision of its original Romanesque appearance. The exterior stonework was stripped of all its plaster and paint, to better conform with the Romantic ideal of a medieval church growing out of the rock. The Baroque interior was stripped away and the wall paintings were uncovered and repainted.
Further renovations came in 1934-35, enlightened by better knowledge of the original art and architecture. Art Nouveau stained glass windows were also added. A major restoration in 1965-90 included replastering and painting the exterior, both to restore it to its original appearance and to protect the stonework, which was rapidly deteriorating while exposed to the elements.
The interior is covered in medieval frescoes dating from 1220 to 1235. They are magnificent and important survivals, but time has not been terribly kind to them - they were whitewashed over in the Baroque period (1749) and uncovered and repainted with a heavy hand in the Romantic period (1870s) before finally being restored more sensitively in the 1980s.