The Abbey of Sainte-Trinité (the Holy Trinity), also known as Abbaye aux Dames, is a former monastery of women. The complex includes the Abbey Church of Sainte-Trinité. The abbey was founded as a Benedictine monastery of nuns in the late 11th century by William the Conqueror and his wife Matilda of Flanders as the Abbaye aux Dames ('Women's Abbey'), as well as the Abbaye aux Hommes ('Men's Abbey'), formally the Abbey of Saint-Étienne. The works began in 1062, starting from the rear and finished in 1130. Matilda, who died in 1083, was buried in the choir under a slab of black marble.
The original spires were destroyed in the Hundred Years' War and replaced by less striking balustrades in the early 18th century. The community of nuns were dispersed and suppressed by the French Revolution. In 1823 the local city council decided to transfer the ancient Hôtel-Dieu (possibly also founded by William the Conqueror, but more likely King Henry II of England), to the former cloister for use as a hospital, and the canonesses regular, who had assumed responsibility for the hospital from the two abbeys during the 14th century, established themselves there. The canonesses continued to operate there until 1908 when the facility was given to the Hospice Saint-Louis for use as a nursing home. The vault was demolished and rebuilt in 1865. The church was last restored between 1990 and 1993.
The façade has two large towers on the sides, each with doors leading to the aisles. The pediment of the central bay echoes the nave roof. The tympanum of the central portal depicts the Trinity and the four apocalyptic beasts, symbols of the Four Evangelists.
The nave is flanked by pointed arches surmounted by a gallery (triforium) which supports the groin vault, the first of this type built in Normandy (1130). The transept, in the centre of the church, houses the main altar. The northern transept is in Romanesque style, opening over a small apse (the chapel of the Blessed Sacrament) which houses the tabernacle. The southern transept is characterised by Gothic columns integrated within the Romanesque decoration. The choir ends with an apse decorated by four columns and a gallery with fantastic figures. Also present is a crypt in honour of Saint Nicholas.References:
The Church of St Eustace was built between 1532-1632. St Eustace"s is considered a masterpiece of late Gothic architecture. The church’s reputation was strong enough of the time for it to be chosen as the location for a young Louis XIV to receive communion. Mozart also chose the sanctuary as the location for his mother’s funeral. Among those baptised here as children were Richelieu, Jeanne-Antoinette Poisson, future Madame de Pompadour and Molière, who was also married here in the 17th century. The last rites for Anne of Austria, Turenne and Mirabeau were pronounced within its walls. Marie de Gournay is buried there.
The origins of Saint Eustache date back to 13th century. The church became a parish church in 1223, thanks to a man named Jean Alais who achieved this by taxing the baskets of fish sold nearby, as granted by King Philip Augustus. To thank such divine generosity, Alais constructed a chapel dedicated to Sainte-Agnès, a Roman martyr. The construction of the current church began in 1532, the work not being finally completed until 1637. The name of the church refers to Saint Eustace, a Roman general of the second century AD who was burned, along with his family, for converting to Christianity, and it is believed that it was the transfer of a relic of Saint Eustache from the Abbey to Saint-Denis to the Church of Saint Eustache which resulted in its naming. Jeanne Baptiste d"Albert de Luynes was baptised here.
According to tourist literature on-site, during the French Revolution the church, like most churches in Paris, was desecrated, looted, and used for a time as a barn. The church was restored after the Revolution had run its course and remains in use today. Several impressive paintings by Rubens remain in the church today. Each summer, organ concerts commemorate the premieres of Berlioz’s Te Deum and Liszt’s Christus here in 1886.
The church is an example of a Gothic structure clothed in Renaissance detail. The church is relatively short in length at 105m, but its interior is 33.45m high to the vaulting. At the main façade, the left tower has been completed in Renaissance style, while the right tower remains a stump. The front and rear aspects provide a remarkable contrast between the comparatively sober classical front and the exuberant rear, which integrates Gothic forms and organization with Classical details. The L"écoute sculpture by Henri de Miller appears outside the church, to the south. A Keith Haring sculpture stands in a chapel of the church.
The Chapel of the Virgin was built in 1640 and restored from 1801 to 1804. It was inaugurated by Pius VII on the 22nd of December, 1804 when he came to Paris for the coronation of Napoleon. The apse chapel, with a ribbed cul-de-four vault, has at its centre a sculpture of the Virgin and Child of Jean-Baptiste Pigalle that the painter Thomas Couture highlighted by three large paintings.
With 8,000 pipes, the organ is reputed to be the largest pipe organ in France, surpassing the organs of Saint Sulpice and Notre Dame de Paris. The organ originally constructed by P.-A. Ducroquet was powerful enough for the premiere of Hector Berlioz" titanic Te Deum to be performed at St-Eustache in 1855.