Forum Hadriani was the northern-most Roman city on the European continent and the second oldest city of The Netherlands. It was located in the Roman province Germania Inferior and is mentioned on the Tabula Peutingeriana, a Roman road map.
The site Forum Hadriani formed the nucleus of the civitas of the Cananefates, who lived west of the Batavians. It was situated along the Fossa Corbulonis or Corbulo-canal. This waterway was established about 47 CE by the Roman general Gnaeus Domitius Corbulo, forming an important shortcut between the rivers Rhine and Meuse. After the Batavian Rebellion, in which they participated, the Cananefates became loyal allies of the Romans.
In 121 emperor Hadrian made a long voyage along the northwestern border of the empire, during which he visited the Cananefate town. He gave the town his own name, Forum Hadriani (Hadrian’s Market). An alternate name, maybe the only official name, was Municipium Aelium Cananefatium (Aelius being the family name of Hadrian). The shortened version of this name, MAC, has been found engraved in a couple of Roman milestones found in the neighbourhood.
About 270 CE, after several plagues and attacks by Saxon pirates, the Romans abandoned Forum Hadriani.
In 1771 a bronze right hand was excavated during garden work on the estate Arentsburg. This hand was used by Étienne Maurice Falconet as model for the equestrian statue of Peter the Great, The Bronze Horseman. The first scientific excavations at the site of Forum Hadriani were carried out by Caspar Reuvens, between 1827-1833. Reuvens held the first professorship Archaeology ever, worldwide. Reuvens died before he could publish his findings. More excavations were done between 1908 and 1915 by Jan Hendrik Holwerda, he published the results of Reuvens together with his own discoveries in a comprehensive monograph in 1923.References:
The Cloth Hall in Kraków dates to the Renaissance and is one of the city's most recognizable icons. It is the central feature of the main market square in the Kraków Old Town (listed as a UNESCO World Heritage Site since 1978).
The hall was once a major centre of international trade. Traveling merchants met there to discuss business and to barter. During its golden age in the 15th century, the hall was the source of a variety of exotic imports from the east – spices, silk, leather and wax – while Kraków itself exported textiles, lead, and salt from the Wieliczka Salt Mine.
Kraków was Poland's capital city and was among the largest cities in Europe already from before the time of the Renaissance. However, its decline started with the move of the capital to Warsaw in the very end of the 16th century. The city's decline was hastened by wars and politics leading to the Partitions of Poland at the end of the 18th century. By the time of the architectural restoration proposed for the cloth hall in 1870 under Austrian rule, much of the historic city center was decrepit. A change in political and economic fortunes for the Kingdom of Galicia and Lodomeria ushered in a revival due to newly established Legislative Assembly or Sejm of the Land. The successful renovation of the Cloth Hall, based on design by Tomasz Pryliński and supervised by Mayor Mikołaj Zyblikiewicz, Sejm Marshal, was one of the most notable achievements of this period.
The hall has hosted many distinguished guests over the centuries and is still used to entertain monarchs and dignitaries, such as Charles, Prince of Wales and Emperor Akihito of Japan, who was welcomed here in 2002. In the past, balls were held here, most notably after Prince Józef Poniatowski had briefly liberated the city from the Austrians in 1809. Aside from its history and cultural value, the hall still is still used as a center of commerce.
On the upper floor of the hall is the Sukiennice Museum division of the National Museum, Kraków. It holds the largest permanent exhibit of the 19th-century Polish painting and sculpture, in four grand exhibition halls arranged by historical period and the theme extending into an entire artistic epoch. The museum was upgraded in 2010 with new technical equipment, storerooms, service spaces as well as improved thematic layout for the display.
The Gallery of 19th-Century Polish Art was a major cultural venue from the moment it opened on October 7, 1879. It features late Baroque, Rococo, and Classicist 18th-century portraits and battle scenes by Polish and foreign pre-Romantics.