The St. Nikolai-Kirche, (St. Nicholas' Church) is the oldest church in Berlin. The area around the church is known as the 'Nicholas quarter', and is an area of restored mediaeval buildings. The church was built between 1220 and 1230, and is thus, along with the Church of Our Lady at Alexanderplatz not far away, the oldest church in Berlin.
Originally a Roman Catholic church, the Church of St. Nicholas became a Lutheran church after the Protestant Reformation in the Electorate of Brandenburg in 1539. In the 17th century, the prominent hymn-writer Paul Gerhardt was the minister of this church, and the composer Johann Crueger was musical director. The prominent Lutheran theologian Provost Philipp Jacob Spener was the minister from 1691 to 1705. From 1913 to 1923 the minister at the Church of St. Nicholas was Wilhelm Wessel, whose son Horst Wessel later became famous as a Nazi: the family lived in the nearby Jüdenstraße.
On Reformation Day in 1938 the church building served its congregation for the last time. Then the building, the oldest structure in Berlin proper, was given up to the government, to be used as a concert hall and ecclesiastical museum. The number of parishioners had shrunk due to the ever intensifying commercialisation of the inner city with residential premises being superseded by offices and shops. The congregation later merged with that of the Church of Our Lady.
During World War II the Church of St. Nicholas lost by fire the tops of its towers and the roof as a result of Allied bombing. In 1949 all the vaults and the northern pillars collapsed. The ruins were in East Berlin, and it was not until 1981 that the East German Democratic Republic authorities authorised the rebuilding of the church, using old designs and plans. The Church of St. Nicholas as seen today is largely a reconstruction. Today the church serves again mainly as a museum and occasionally as a concert venue, administered by the Stiftung Stadtmuseum Berlin (Landesmuseum für Kultur und Geschichte Berlins). It is renowned for its acoustics and the rebuilt church has been equipped with a fine set of 41 bells.
The Moszna Castle is one of the best known monuments in the western part of Upper Silesia. The history of this building begins in the 17th century, although much older cellars were found in the gardens during excavations carried out at the beginning of the 20th century. Some of the investigators, including H. Barthel, claimed that those cellars could have been remnants of a presumed Templar castle, but their theory has never been proved. After World War II, further excavations discovered a medieval palisade.
The central part of the castle is an old baroque palace which was partially destroyed by fire on the night of April 2, 1896 and was reconstructed in the same year in its original form by Franz Hubert von Tiele-Winckler. The reconstruction works involved an extension of the residence. The eastern Neogothic-styled wing of the building was built by 1900, along with an adjacent orangery. In 1912-1914, the western wing was built in the Neo-Renaissance style. The architectural form of the castle contains a wide variety of styles, thus it can be generally defined as eclectic.
The height of the building, as well as its numerous turrets and spires, give the impression of verticalism. The whole castle has exactly ninety-nine turrets. Inside, it contains 365 rooms. The castle was twice visited by the German Emperor Wilhelm II. His participation in hunting during his stay at the castle was documented in a hand-written chronicle in 1911 as well as in the following year. The castle in Moszna was the residence of a Silesian family Tiele-Winckler who were industrial magnates, from 1866 until the spring of 1945 when they were forced to move to Germany and the castle was occupied by the Red Army. The period of the Soviet control caused significant damage to the castle's internal fittings in comparison to the minor damage caused by WWII.
After World War II the castle did not have a permanent owner and was the home of various institutions until 1972 when it became a convalescent home. Later it became a Public Health Care Centre for Therapies of Neuroses. Nowadays it can be visited by tourists since the health institution has moved to another building in the neighbourhood. The castle also has a chapel which is used as a concert hall. Since 1998 the castle housed a gallery in which works of various artists are presented at regular exhibitions.
Apart from the castle itself, the entire complex includes a park which has no precise boundaries and includes nearby fields, meadows and a forest. Only the main axis of the park can be characterised as geometrical. Starting from the gate, it leads along the oak and then horse-chestnut avenues, towards the castle. Further on, the park passes into an avenue of lime trees with symmetrical canals running along both sides of the path, lined with a few varieties of rhododendrons. The axis of the park terminates at the base of a former monument of Hubert von Tiele-Winckler. On the eastern side of the avenue there is a pond with an islet referred to by the owners as Easter Island. The islet is planted with needle-leaved shrubs and can be reached by a Chinese-styled bridge. The garden, as part of the whole park complex was restored slightly earlier than the castle itself. Preserved documents of 1868 state that the improvement in the garden's aesthetic quality was undertaken by Hubert von Tiele-Winckler.