French Cathedral (Französischer Dom) is the colloquial naming for the French Church of Friedrichstadt. Louis Cayart and Abraham Quesnay built the first parts of the actual French Church from 1701 to 1705 for the Huguenot (Calvinist) community. At that time, Huguenots made up about 25% of Berlin's population. The French Church was modelled after the destroyed Huguenot temple in Charenton-Saint-Maurice, France.
In 1785 Carl von Gontard modified the church and built - wall to wall next to it - the domed tower, which - together with the French-speaking congregants - earned the church its naming. The domed tower is technically no part of the church, there is no access between church and tower, because both buildings have different proprietors. The tower, resembling that of Deutscher Dom, was simply built to give the Gendarmenmarkt a symmetric design. The former church Deutscher Dom, however, consists of church-building and tower as an entity.
In 1817 the French Church community, like most Prussian Calvinist, Reformed and Lutheran congregations joined the common umbrella organisation named Evangelical Church in Prussia (under this name since 1821), with each congregation maintaining its former denomination or adopting the new united denomination. The community of the French Church of Friedrichstadt maintained its Calvinist denomination.
Nevertheless, the congregation underwent already before the union of the Prussian Protestants a certain acculturation with Lutheran traditions: An organ was installed in 1753, competing with the Calvinist traditional mere singing. The singing of psalms was extended by hymns in 1791. The sober interior was refurbished in a more decorative - but still Calvinist aniconistic - style by Otto March in 1905. The beautiful organ has been played, among others, by Thomas Hawkes. Today's community is part of the Evangelical Church of Berlin-Brandenburg-Silesian Upper Lusatia.
Französischer Dom was heavily damaged in World War II, then re-built from 1977 to 1981. Today it is not merely used by its congregations, but also for conventions by the Evangelical Church in Germany.
The church is not a cathedral in the strict sense of the word because it has never been the seat of a bishop.
The domed tower, which is a viewing platform open to visitors, provides a panoramic view of Berlin. A restaurant is located in the basement underneath the prayer hall. The tower also contains the Huguenot museum of Berlin.References:
The Palazzo Colonna is a palatial block of buildings built in part over ruins of an old Roman Serapeum, and has belonged to the prestigious Colonna family for over twenty generations.
The first part of the palace dates from the 13th century, and tradition holds that the building hosted Dante in his visit to Rome. The first documentary mention notes that the property hosted Cardinal Giovanni and Giacomo Colonna in the 13th century. It was also home to Cardinal Oddone Colonna before he ascended to the papacy as Martin V (1417–1431).
With his passing, the palace was sacked during feuds, and the main property passed into the hands of the Della Rovere family. It returned to the Colonna family when Marcantonio I Colonna married Lucrezia Gara Franciotti Della Rovere, the niece of pope Julius II. The Colonna"s alliance to the Habsburg power, likely protected the palace from looting during the Sack of Rome (1527).
Starting with Filippo Colonna (1578–1639) many changes have refurbished and create a unitary complex around a central garden. Architects including Girolamo Rainaldi and Paolo Marucelli labored on specific projects. Only in the 17th and 18th centuries were the main facades completed. Much of this design was completed by Antonio del Grande (including the grand gallery), and Girolamo Fontana (decoration of gallery). In the 18th century, the long low facade designed by Nicola Michetti with later additions by Paolo Posi with taller corner blocks (facing Piazza Apostoli) was constructed recalls earlier structures resembling a fortification.
The main gallery (completed 1703) and the masterful Colonna art collection was acquired after 1650 by both the cardinal Girolamo I Colonna and his nephew the Connestabile Lorenzo Onofrio Colonna and includes works by Lorenzo Monaco, Domenico Ghirlandaio, Palma the Elder, Salviati, Bronzino, Tintoretto, Pietro da Cortona, Annibale Carracci (painting of The Beaneater), Guercino, Francesco Albani, Muziano and Guido Reni. Ceiling frescoes by Filippo Gherardi, Giovanni Coli, Sebastiano Ricci, and Giuseppe Bartolomeo Chiari celebrate the role of Marcantonio II Colonna in the battle of Lepanto (1571). The gallery is open to the public on Saturday mornings.
The older wing of the complex known as the Princess Isabelle"s apartments, but once housing Martin V"s library and palace, contains frescoes by Pinturicchio, Antonio Tempesta, Crescenzio Onofri, Giacinto Gimignani, and Carlo Cesi. It contains a collection of landscapes and genre scenes by painters like Gaspard Dughet, Caspar Van Wittel (Vanvitelli), and Jan Brueghel the Elder.
Along with the possessions of the Doria-Pamphilij and Pallavacini-Rospigliosi families, this is one of the largest private art collections in Rome.