St. James' Church is built on the site of a hostel for pilgrims to Santiago de Compostela. The present building is the work of the Waghemakere family and Rombout Keldermans, in Brabantine Gothic style. The church contains the grave of Rubens in the eastern chapel.
From 1431 on, even before the church was built, the chapel on this site was a stop on the route to the burial place of Saint James the Great in Santiago de Compostela. In 1476 the chapel became a parish church so plans were made to replace the modest building with a large church. Fifteen years later, in 1491, construction of the late Gothic church started. It was not completed until 1656, when Baroque architecture was in vogue. Fortunately throughout all those years the architects closely followed the original Gothic design, hence the consistent Gothic exterior. The interior however is decorated in Baroque style.
The plans at the start of the construction, in a time when Antwerp was on its way to becoming one of the most important economic hubs in Europe, were very ambitious. The church was to feature just one tower, but this was to be about 150m tall. Unfortunately, due to the decline of the city from the mid 16th century on, financial problems eventually caused construction to be halted after the tower had reached just one third of its planned height.
In the 17th and 18th century St. James' Church was the parish church of Antwerp's prominent citizens, several of whom built private burial chapels in the church. The most famous is that of Antwerp's renowned painter Peter Paul Rubens, completed five years after his death in 1640. The painting above Rubens' tomb is by the master himself.
Although the original interior was destroyed during the iconoclastic storms of 1566 and 1581, the Baroque 17th century interior is well preserved thanks to a priest who pledged allegiance to the French revolutionaries, who had just invaded the city. In return, he was rewarded by being permitted to choose one church in Antwerp which would not be plundered, and chose St. James', thus saving the interior. Many of the original stained-glass windows were unfortunately destroyed during World War II.
Among the Baroque interior decorations are the carved wooden choir stalls, created between 1658 and 1570, the opulent main altar (1685) and the communion rails of the holy chapel (1695). The central pulpit was created in 1675 by Lodewijk Willemssens. The organ, built by J.B. Forceville in 1727, is also original, including the still functioning mechanical action.References:
The Broch of Gurness is an Iron Age broch village. Settlement here began sometime between 500 and 200 BC. At the centre of the settlement is a stone tower or broch, which once probably reached a height of around 10 metres. Its interior is divided into sections by upright slabs. The tower features two skins of drystone walls, with stone-floored galleries in between. These are accessed by steps. Stone ledges suggest that there was once an upper storey with a timber floor. The roof would have been thatched, surrounded by a wall walk linked by stairs to the ground floor. The broch features two hearths and a subterranean stone cistern with steps leading down into it. It is thought to have some religious significance, relating to an Iron Age cult of the underground.
The remains of the central tower are up to 3.6 metres high, and the stone walls are up to 4.1 metres thick. The tower was likely inhabited by the principal family or clan of the area but also served as a last resort for the village in case of an attack.
The broch continued to be inhabited while it began to collapse and the original structures were altered. The cistern was filled in and the interior was repartitioned. The ruin visible today reflects this secondary phase of the broch's use.
The site is surrounded by three ditches cut out of the rock with stone ramparts, encircling an area of around 45 metres diameter. The remains of numerous small stone dwellings with small yards and sheds can be found between the inner ditch and the tower. These were built after the tower, but were a part of the settlement's initial conception. A 'main street' connects the outer entrance to the broch. The settlement is the best-preserved of all broch villages.
Pieces of a Roman amphora dating to before 60 AD were found here, lending weight to the record that a 'King of Orkney' submitted to Emperor Claudius at Colchester in 43 AD.
At some point after 100 AD the broch was abandoned and the ditches filled in. It is thought that settlement at the broch continued into the 5th century AD, the period known as Pictish times. By that time the broch was not used anymore and some of its stones were reused to build smaller dwellings on top of the earlier buildings. Until about the 8th century, the site was just a single farmstead.
In the 9th century, a Norse woman was buried at the site in a stone-lined grave with two bronze brooches and a sickle and knife made from iron. Other finds suggest that Norse men were buried here too.