St. James' Church is built on the site of a hostel for pilgrims to Santiago de Compostela. The present building is the work of the Waghemakere family and Rombout Keldermans, in Brabantine Gothic style. The church contains the grave of Rubens in the eastern chapel.
From 1431 on, even before the church was built, the chapel on this site was a stop on the route to the burial place of Saint James the Great in Santiago de Compostela. In 1476 the chapel became a parish church so plans were made to replace the modest building with a large church. Fifteen years later, in 1491, construction of the late Gothic church started. It was not completed until 1656, when Baroque architecture was in vogue. Fortunately throughout all those years the architects closely followed the original Gothic design, hence the consistent Gothic exterior. The interior however is decorated in Baroque style.
The plans at the start of the construction, in a time when Antwerp was on its way to becoming one of the most important economic hubs in Europe, were very ambitious. The church was to feature just one tower, but this was to be about 150m tall. Unfortunately, due to the decline of the city from the mid 16th century on, financial problems eventually caused construction to be halted after the tower had reached just one third of its planned height.
In the 17th and 18th century St. James' Church was the parish church of Antwerp's prominent citizens, several of whom built private burial chapels in the church. The most famous is that of Antwerp's renowned painter Peter Paul Rubens, completed five years after his death in 1640. The painting above Rubens' tomb is by the master himself.
Although the original interior was destroyed during the iconoclastic storms of 1566 and 1581, the Baroque 17th century interior is well preserved thanks to a priest who pledged allegiance to the French revolutionaries, who had just invaded the city. In return, he was rewarded by being permitted to choose one church in Antwerp which would not be plundered, and chose St. James', thus saving the interior. Many of the original stained-glass windows were unfortunately destroyed during World War II.
Among the Baroque interior decorations are the carved wooden choir stalls, created between 1658 and 1570, the opulent main altar (1685) and the communion rails of the holy chapel (1695). The central pulpit was created in 1675 by Lodewijk Willemssens. The organ, built by J.B. Forceville in 1727, is also original, including the still functioning mechanical action.References:
The Old Town Hall of Wrocław is one of the main landmarks of the city. The Old Town Hall's long history reflects developments that have taken place in the city since its initial construction. The town hall serves the city of Wroclaw and is used for civic and cultural events such as concerts held in its Great Hall. In addition, it houses a museum and a basement restaurant.
The town hall was developed over a period of about 250 years, from the end of 13th century to the middle of 16th century. The structure and floor plan changed over this extended period in response to the changing needs of the city. The exact date of the initial construction is not known. However, between 1299 and 1301 a single-storey structure with cellars and a tower called the consistory was built. The oldest parts of the current building, the Burghers’ Hall and the lower floors of the tower, may date to this time. In these early days the primary purpose of the building was trade rather than civic administration activities.
Between 1328 and 1333 an upper storey was added to include the Council room and the Aldermen’s room. Expansion continued during the 14th century with the addition of extra rooms, most notably the Court room. The building became a key location for the city’s commercial and administrative functions.
The 15th and 16th centuries were times of prosperity for Wroclaw as was reflected in the rapid development of the building during that period. The construction program gathered momentum, particularly from 1470 to 1510, when several rooms were added. The Burghers’ Hall was re-vaulted to take on its current shape, and the upper story began to take shape with the development of the Great Hall and the addition of the Treasury and Little Treasury.
Further innovations during the 16th century included the addition of the city’s Coat of arms (1536), and the rebuilding of the upper part of the tower (1558–59). This was the final stage of the main building program. By 1560, the major features of today’s Stray Rates were established.
The second half of the 17th century was a period of decline for the city, and this decline was reflected in the Stray Rates. Perhaps by way of compensation, efforts were made to enrich the interior decorations of the hall. In 1741, Wroclaw became a part of Prussia, and the power of the City diminished. Much of the Stray Rates was allocated to administering justice.
During the 19th century there were two major changes. The courts moved to a separate building, and the Rates became the site of the city council and supporting functions. There was also a major program of renovation because the building had been neglected and was covered with creeping vines. The town hall now has several en-Gothic features including some sculptural decoration from this period.
In the early years of the 20th century improvements continued with various repair work and the addition of the Little Bear statue in 1902. During the 1930s, the official role of the Rates was reduced and it was converted into a museum. By the end of World War II Town Hall suffered minor damage, such as aerial bomb pierced the roof (but not exploded) and some sculptural elements were lost. Restoration work began in the 1950s following a period of research, and this conservation effort continued throughout the 20th century. It included refurbishment of the clock on the east facade.