St. James' Church is built on the site of a hostel for pilgrims to Santiago de Compostela. The present building is the work of the Waghemakere family and Rombout Keldermans, in Brabantine Gothic style. The church contains the grave of Rubens in the eastern chapel.
From 1431 on, even before the church was built, the chapel on this site was a stop on the route to the burial place of Saint James the Great in Santiago de Compostela. In 1476 the chapel became a parish church so plans were made to replace the modest building with a large church. Fifteen years later, in 1491, construction of the late Gothic church started. It was not completed until 1656, when Baroque architecture was in vogue. Fortunately throughout all those years the architects closely followed the original Gothic design, hence the consistent Gothic exterior. The interior however is decorated in Baroque style.
The plans at the start of the construction, in a time when Antwerp was on its way to becoming one of the most important economic hubs in Europe, were very ambitious. The church was to feature just one tower, but this was to be about 150m tall. Unfortunately, due to the decline of the city from the mid 16th century on, financial problems eventually caused construction to be halted after the tower had reached just one third of its planned height.
In the 17th and 18th century St. James' Church was the parish church of Antwerp's prominent citizens, several of whom built private burial chapels in the church. The most famous is that of Antwerp's renowned painter Peter Paul Rubens, completed five years after his death in 1640. The painting above Rubens' tomb is by the master himself.
Although the original interior was destroyed during the iconoclastic storms of 1566 and 1581, the Baroque 17th century interior is well preserved thanks to a priest who pledged allegiance to the French revolutionaries, who had just invaded the city. In return, he was rewarded by being permitted to choose one church in Antwerp which would not be plundered, and chose St. James', thus saving the interior. Many of the original stained-glass windows were unfortunately destroyed during World War II.
Among the Baroque interior decorations are the carved wooden choir stalls, created between 1658 and 1570, the opulent main altar (1685) and the communion rails of the holy chapel (1695). The central pulpit was created in 1675 by Lodewijk Willemssens. The organ, built by J.B. Forceville in 1727, is also original, including the still functioning mechanical action.References:
Royal Palace of Naples was one of the four residences near Naples used by the Bourbon Kings during their rule of the Kingdom of the Two Sicilies (1734-1860): the others were the palaces of Caserta, Capodimonte overlooking Naples, and the third Portici, on the slopes of Vesuvius.
Construction on the present building was begun in the 17th century by the architect Domenico Fontana. Intended to house the King Philip III of Spain on a visit never fulfilled to this part of his kingdom, instead it initially housed the Viceroy Fernando Ruiz de Castro, count of Lemos. By 1616, the facade had been completed, and by 1620, the interior was frescoed by Battistello Caracciolo, Giovanni Balducci, and Belisario Corenzio. The decoration of the Royal Chapel of Assumption was not completed until 1644 by Antonio Picchiatti.
In 1734, with the arrival of Charles III of Spain to Naples, the palace became the royal residence of the Bourbons. On the occasion of his marriage to Maria Amalia of Saxony in 1738, Francesco De Mura and Domenico Antonio Vaccaro helped remodel the interior. Further modernization took place under Ferdinand I of the Two Sicilies. In 1768, on the occasion of his marriage to Maria Carolina of Austria, under the direction of Ferdinando Fuga, the great hall was rebuilt and the court theater added. During the second half of the 18th century, a 'new wing' was added, which in 1927 became the Vittorio Emanuele III National Library. By the 18th century, the royal residence was moved to Reggia of Caserta, as that inland town was more defensible from naval assault, as well as more distant from the often-rebellious populace of Naples.
During the Napoleonic occupation the palace was enriched by Joachim Murat and his wife, Caroline Bonaparte, with Neoclassic decorations and furnishings. However, a fire in 1837 damaged many rooms, and required restoration from 1838 to 1858 under the direction of Gaetano Genovese. Further additions of a Party Wing and a Belvedere were made in this period. At the corner of the palace with San Carlo Theatre, a new facade was created that obscured the viceroyal palace of Pedro de Toledo.
In 1922, it was decided to transfer here the contents of the National Library. The transfer of library collections was made by 1925.
The library suffered from bombing during World War II and the subsequent military occupation of the building caused serious damage. Today, the palace and adjacent grounds house the famous Teatro San Carlo, the smaller Teatrino di Corte (recently restored), the Biblioteca Nazionale Vittorio Emanuele III, a museum, and offices, including those of the regional tourist board.