St. James' Church is built on the site of a hostel for pilgrims to Santiago de Compostela. The present building is the work of the Waghemakere family and Rombout Keldermans, in Brabantine Gothic style. The church contains the grave of Rubens in the eastern chapel.
From 1431 on, even before the church was built, the chapel on this site was a stop on the route to the burial place of Saint James the Great in Santiago de Compostela. In 1476 the chapel became a parish church so plans were made to replace the modest building with a large church. Fifteen years later, in 1491, construction of the late Gothic church started. It was not completed until 1656, when Baroque architecture was in vogue. Fortunately throughout all those years the architects closely followed the original Gothic design, hence the consistent Gothic exterior. The interior however is decorated in Baroque style.
The plans at the start of the construction, in a time when Antwerp was on its way to becoming one of the most important economic hubs in Europe, were very ambitious. The church was to feature just one tower, but this was to be about 150m tall. Unfortunately, due to the decline of the city from the mid 16th century on, financial problems eventually caused construction to be halted after the tower had reached just one third of its planned height.
In the 17th and 18th century St. James' Church was the parish church of Antwerp's prominent citizens, several of whom built private burial chapels in the church. The most famous is that of Antwerp's renowned painter Peter Paul Rubens, completed five years after his death in 1640. The painting above Rubens' tomb is by the master himself.
Although the original interior was destroyed during the iconoclastic storms of 1566 and 1581, the Baroque 17th century interior is well preserved thanks to a priest who pledged allegiance to the French revolutionaries, who had just invaded the city. In return, he was rewarded by being permitted to choose one church in Antwerp which would not be plundered, and chose St. James', thus saving the interior. Many of the original stained-glass windows were unfortunately destroyed during World War II.
Among the Baroque interior decorations are the carved wooden choir stalls, created between 1658 and 1570, the opulent main altar (1685) and the communion rails of the holy chapel (1695). The central pulpit was created in 1675 by Lodewijk Willemssens. The organ, built by J.B. Forceville in 1727, is also original, including the still functioning mechanical action.References:
The Palazzo Colonna is a palatial block of buildings built in part over ruins of an old Roman Serapeum, and has belonged to the prestigious Colonna family for over twenty generations.
The first part of the palace dates from the 13th century, and tradition holds that the building hosted Dante in his visit to Rome. The first documentary mention notes that the property hosted Cardinal Giovanni and Giacomo Colonna in the 13th century. It was also home to Cardinal Oddone Colonna before he ascended to the papacy as Martin V (1417–1431).
With his passing, the palace was sacked during feuds, and the main property passed into the hands of the Della Rovere family. It returned to the Colonna family when Marcantonio I Colonna married Lucrezia Gara Franciotti Della Rovere, the niece of pope Julius II. The Colonna"s alliance to the Habsburg power, likely protected the palace from looting during the Sack of Rome (1527).
Starting with Filippo Colonna (1578–1639) many changes have refurbished and create a unitary complex around a central garden. Architects including Girolamo Rainaldi and Paolo Marucelli labored on specific projects. Only in the 17th and 18th centuries were the main facades completed. Much of this design was completed by Antonio del Grande (including the grand gallery), and Girolamo Fontana (decoration of gallery). In the 18th century, the long low facade designed by Nicola Michetti with later additions by Paolo Posi with taller corner blocks (facing Piazza Apostoli) was constructed recalls earlier structures resembling a fortification.
The main gallery (completed 1703) and the masterful Colonna art collection was acquired after 1650 by both the cardinal Girolamo I Colonna and his nephew the Connestabile Lorenzo Onofrio Colonna and includes works by Lorenzo Monaco, Domenico Ghirlandaio, Palma the Elder, Salviati, Bronzino, Tintoretto, Pietro da Cortona, Annibale Carracci (painting of The Beaneater), Guercino, Francesco Albani, Muziano and Guido Reni. Ceiling frescoes by Filippo Gherardi, Giovanni Coli, Sebastiano Ricci, and Giuseppe Bartolomeo Chiari celebrate the role of Marcantonio II Colonna in the battle of Lepanto (1571). The gallery is open to the public on Saturday mornings.
The older wing of the complex known as the Princess Isabelle"s apartments, but once housing Martin V"s library and palace, contains frescoes by Pinturicchio, Antonio Tempesta, Crescenzio Onofri, Giacinto Gimignani, and Carlo Cesi. It contains a collection of landscapes and genre scenes by painters like Gaspard Dughet, Caspar Van Wittel (Vanvitelli), and Jan Brueghel the Elder.
Along with the possessions of the Doria-Pamphilij and Pallavacini-Rospigliosi families, this is one of the largest private art collections in Rome.