The 48-hectare landscaped park on the edge of Weimar’s old town is part of a kilometre-long stretch of green along the Ilm. It was laid between 1778 and 1828 and features both sentimental, classical and post-classical/romantic styles.
The creation of the park on the Ilm river is closely linked with Goethe’s life and work in Weimar. In 1776, Duke Carl August gave the poet a small house with a garden, today known as Goethe's Garden House. The first constructions and developments appeared in 1778 on the rocky western slope. Paths were subsequently laid, seating installed, monuments, bridges and other park architecture built. Numerous trees and bushes were also planted. The old palace gardens such as the Stern and the Welsche Garten were redesigned and integrated into the park along with the eastern valley slope and the water meadow as far as Oberweimar.
Between 1791 and 1797, the Duke had the Roman House built in classical style. This is the main design featured in the southern part of the park. Important characteristics of the park include the numerous lines of sight linking features such as Goethe’s garden house, the Roman House and the bark house within the park; these also connect them with the surrounding countryside.
The work largely came to an end in 1828 with the death of Carl August, who had been a significant driving force behind the design of the park. Over the following decades, the park was maintained but part of its direct connection with the surrounding landscape disappeared due to building work such as the street Am Horn. Moreover, insufficient care of the trees and shrubs puts its original appearance at risk. Extensive reconstruction, preservation and maintenance work was carried out on the trees, shrubs, paths and architecture only when the park was taken over by the National Research and Memorial Sites of Classical German Literature (NFG) in 1970.
The park on the Ilm river has been one of sites in 'Classical Weimar' UNESCO World Heritage Site since 1998.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.