Built in 1765 as a tenement house for a grand ducal demesne, Schloss Tiefurt served from 1776 as the residence of Prince Friedrich Ferdinand Constantin, the younger brother of the reigning Duke Carl August of Saxe-Weimar-Eisenach. After the expansion of the tenement house to a country mansion, he and his tutor Karl Ludwig von Knebel designed a landscaped park in English style. Meandering paths were laid together with the first park architecture and seating, and various types of plants were cultivated. After Constantin’s departure to Weimar in 1781, Duchess Anna Amalia moved her summer residence to Tiefurt and continued to develop the park step by step. These developments included the Leopold memorial, the cenotaph for Constantin who died young, the Mozart memorial, the Herder stone, the Temple of Muses and the Tea Salon. During this time, Tiefurt became a social centre for the court of Weimar and their guests. A convivial social life developed featuring recitals, literary evenings and even a small newspaper, the Journal of Tiefurt. However, Tiefurt fell silent when the mansion was plundered by French troops in 1806 and on Anna Amalia’s death in 1807. Tiefurt was restored to its former glory only with the extensive renovation and redesign of the park between 1846 and 1850 carried out by the Weimar court gardener Eduard Petzold. Many of the copses which define the park landscape were planted in this period. Tiefurt Mansion and Park were listed as a UNESCO World Heritage Site in 1998.
Many of the artworks are mementoes of Anna Amalia’s trip to Italy between 1788 and 1790, including a watercolour by Johann Georg Schütz showing the Duchess and her travelling companions among Roman artists in the garden of the Villa d’Este. Some of the artistic highlights of the institution are sculptures and busts done by the court sculptor Gottlieb Martin Klauer on the staircase and porcelain from China, Meissen, Copenhagen, Fürstenberg and Vienna. Visitors can look into the Cold Kitchen with a wide variety of utensils from the courtyard. The historical display dishes made of porcelain, wax and paper maché come from the ducal household and look deceptively realistic.
Tiefurt Park covers an area of 21 hectares on both sides of the Ilm. Gently sloping fields with beautiful groups of trees stretch to the bank of the river. A steep slope covered with dense forest rises on the far side. Numerous memorials and park constructions invite visitors to linger.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.