Fort Saint Elmo is a star fort commanding the entrances to both harbours along with Fort Tigné and Fort Ricasoli. It is best known for its role in the Great Siege of Malta of 1565. By 1417, the local militia had already established a permanent watch post on the tip of the Sciberras Peninsula. In 1488, the Aragonese built a watchtower on Saint Elmo Point, and it was dedicated to Erasmus of Formia, better known as Saint Elmo. In 1533, the Order of Saint John reinforced the tower due to its strategic location. In 1551, an Ottoman raid occurred in which the Turkish fleet sailed into Marsamxett Harbour unopposed. Due to this, it was decided that a major expansion was necessary, and in 1552 the tower was demolished and a new star fort began to be built. It was designed by four Italian architects and had a cavalier, a covertway and a tenaille. A ravelin was hastily constructed months before the 1565 siege.
In 1565, the Ottomans invaded Malta once again with much more force than in 1551, in the Great Siege of Malta. Fort Saint Elmo was the scene of some of the most intense fighting of this siege, and it withstood massive bombardment from Turkish cannon deployed on Mount Sciberras that overlooked the fort and from batteries on the north arm of Marsamextt Harbour, the present site of Fort Tigné. The fort withstood the siege for 28 days, falling to the Turks on 23 June 1565. None of the defending knights survived, and only nine of the Maltese defenders survived by swimming across to Fort St. Angelo on the other side of the Grand Harbour after Fort St Elmo fell. The long siege bought much needed time for the preparation of the other two fortresses and the arrival of reinforcements from Spain, which drove the Ottomans off of Malta in a bloody massacre.
After the siege, Grandmaster Jean Parisot de Valette decided to build a new city on the peninsula. Construction started in 1566, and Francesco Laparelli was sent by the Pope to design the fortifications. The ruined Fort Saint Elmo was rebuilt and integrated within the city walls.
The fort was modified a number of times in the 17th century. The Vendôme Bastion was built in 1614, and in 1687 the Carafa Enceinte was built on the foreshore surrounding the entire fort. In the late 17th century, the fort was directly linked to the cavalier and part of the ditch was filled in burying some of the original ramparts in the process. In the 18th century, a new polverista was built in the Vendome Bastion, and stores were built in the area between the main fort and the Carafa Enceinte. These are known as Pinto Stores and they and the surrounding area form what is known as Lower Saint Elmo.
On 8 September 1775, Fort Saint Elmo was captured by 13 rebel priests along with Saint James Cavalier in what became known as the Revolt of the Priests. The Order's flag was lowered and a banner of Saint Paul was raised instead. The Order managed to recapture St Elmo so the rebels in control of St James surrendered as well. Eventually the rebels were tried and three were executed while the others were exiled or imprisoned. The heads of the three executed men were displayed on the corners of St James Cavalier, but were removed soon after Emmanuel de Rohan-Polduc was elected Grandmaster in November of the same year.
The fort was once again modified in the early 19th century by the British, when a musketry parapet was built. In 1855, the polverista at Vendome Bastion was converted into an armoury, and some small arms from the Palace Armoury were transferred there. In the 1870s, more works were done on Abercrombie's Bastion. In 1917, the first heart operation to be performed on a soldier was done at St Elmo.
On 26 July 1941, the Italians launched a seaborne attack on the Grand Harbour with two human torpedoes, four MAS boats and six MT boats. The force was detected early on by a British radar facility, and the coastal artillery at Saint Elmo opened fire when the Italians approached to close range. In the attack, 15 men were killed and 18 captured, and all the human torpedoes and MT boats, along with two of the MAS boats were lost. One of the MT boats hit Saint Elmo Bridge, which linked the breakwater with the tip of the peninsula near the fort, and the bridge collapsed. The bridge was never restored, and it was only in 2012 that a new one was built in its place with a similar but different design.
Parts of the fort were severely damaged during the war and some scars of the bombing can still be seen to this day. The Royal Malta Artillery left the fort on 26 March 1972, ending its long military history. Parts of the fort subsequently fell in disuse. Restoration work was completed in 2015. From 1975, part of the fort housed the National War Museum, which contained military equipment and other things related to World War I and II.References:
The Palazzo Colonna is a palatial block of buildings built in part over ruins of an old Roman Serapeum, and has belonged to the prestigious Colonna family for over twenty generations.
The first part of the palace dates from the 13th century, and tradition holds that the building hosted Dante in his visit to Rome. The first documentary mention notes that the property hosted Cardinal Giovanni and Giacomo Colonna in the 13th century. It was also home to Cardinal Oddone Colonna before he ascended to the papacy as Martin V (1417–1431).
With his passing, the palace was sacked during feuds, and the main property passed into the hands of the Della Rovere family. It returned to the Colonna family when Marcantonio I Colonna married Lucrezia Gara Franciotti Della Rovere, the niece of pope Julius II. The Colonna"s alliance to the Habsburg power, likely protected the palace from looting during the Sack of Rome (1527).
Starting with Filippo Colonna (1578–1639) many changes have refurbished and create a unitary complex around a central garden. Architects including Girolamo Rainaldi and Paolo Marucelli labored on specific projects. Only in the 17th and 18th centuries were the main facades completed. Much of this design was completed by Antonio del Grande (including the grand gallery), and Girolamo Fontana (decoration of gallery). In the 18th century, the long low facade designed by Nicola Michetti with later additions by Paolo Posi with taller corner blocks (facing Piazza Apostoli) was constructed recalls earlier structures resembling a fortification.
The main gallery (completed 1703) and the masterful Colonna art collection was acquired after 1650 by both the cardinal Girolamo I Colonna and his nephew the Connestabile Lorenzo Onofrio Colonna and includes works by Lorenzo Monaco, Domenico Ghirlandaio, Palma the Elder, Salviati, Bronzino, Tintoretto, Pietro da Cortona, Annibale Carracci (painting of The Beaneater), Guercino, Francesco Albani, Muziano and Guido Reni. Ceiling frescoes by Filippo Gherardi, Giovanni Coli, Sebastiano Ricci, and Giuseppe Bartolomeo Chiari celebrate the role of Marcantonio II Colonna in the battle of Lepanto (1571). The gallery is open to the public on Saturday mornings.
The older wing of the complex known as the Princess Isabelle"s apartments, but once housing Martin V"s library and palace, contains frescoes by Pinturicchio, Antonio Tempesta, Crescenzio Onofri, Giacinto Gimignani, and Carlo Cesi. It contains a collection of landscapes and genre scenes by painters like Gaspard Dughet, Caspar Van Wittel (Vanvitelli), and Jan Brueghel the Elder.
Along with the possessions of the Doria-Pamphilij and Pallavacini-Rospigliosi families, this is one of the largest private art collections in Rome.