After the creation of the Bishopric of Bamberg by Emperor Henry II, the first Bishop of Bamberg, Eberhard I, founded the Michaelsberg abbey in 1015 as the bishop's private monastery. Accordingly the abbot answered directly to the bishop of Bamberg, and to no-one else. The monks for the new establishment were drawn from Amorbach Abbey and Fulda Abbey.
The chronicler and author Frutolf of Michelsberg was prior here until his death in 1103. The abbey flourished under Bishop Otto (d. 1139), whose burial in the abbey church and subsequent canonisation in 1189, together with the papal protection granted to the abbey in 1251, was of enormous advantage in increasing the independence of the abbey from the bishops. The award to the abbots of the pontificalia had taken place some time before 1185. The abbey's financial status rested securely upon its great ownership of lands in 441 places in the bishopric.
In 1435 the abbey came into conflict with the townspeople of Bamberg and was plundered. It also suffered during the German Peasants' War of 1525, the Franconian Margrave War (Markgräflerkrieg) in the 1550s and from an occupation of several years' duration by the Swedish army during the Thirty Years' War. In the 17th and 18th centuries the abbey recovered, and enjoyed a new period of prosperity.
By the time of the secularisation of Bavaria of 1802 the abbey still owned substantial property in Bamberg itself as well as estates in no fewer than 141 places in the surrounding area. On 30 November 1802 Bavarian troops confiscated the abbey's assets. Valuable books were removed to the library of the Bavarian court, the predecessor of the present Bayerische Staatsbibliothek. The 24 monks then resident were obliged to leave the monastery. The abbey buildings passed into the possession of the city of Bamberg, who by popular request transferred into them the old almshouses from the city centre; these are still located there.
The first church on the site, dedicated to Saint Michael, was built in about 1015 and was destroyed by an earthquake, probably in 1117. The present building is basically a Romanesque church, consecrated in 1121. In 1610 it was badly damaged by a fire, as a result of which the nave (with its ceiling paintings of the Garden of Heaven, completed in 1617) and the westwork, with the two west towers, had to be more or less rebuilt from scratch. The still-extant organ-loft was also constructed very soon after the fire, in 1610, and is a significant work of the German Late Renaissance. From 1696 Leonhard Dientzenhofer, under the instructions of abbot Christoph Ernst, created a two-storey Baroque exterior façade. Johann Dientzenhofer built the terrace in 1723.
In 1833, on the orders of King Ludwig I of Bavaria, the gravestones and memorials of the bishops of Bamberg from the 16th to the 18th century were removed from Bamberg Cathedral and set up in the Michaelskirche.References:
The famous Italian Medici family have given two queens to France: Catherine, the spouse of Henry II, and Marie, widow of Henry IV, who built the current Luxembourg palace. Maria di Medici had never been happy at the Louvre, still semi-medieval, where the fickle king, did not hesitate to receive his mistresses. The death of Henry IV, assassinated in 1610, left the way open for Marie's project. When she became regent, she was able to give special attention to the construction of an imposing modern residence that would be reminiscent of the Palazzo Pitti and the Boboli Gardens in Florence, where she grew up. The development of the 25-hectare park, which was to serve as a jewel-case for the palace, began immediately.
The architect, Salomon de Brosse, began the work in 1615. Only 16 years later was the palace was completed. Palace of Luxembourg affords a transition between the Renaissance and the Classical period.
In 1750, the Director of the King's Buildings installed in the wing the first public art-gallery in France, in which French and foreign canvases of the royal collections are shown. The Count of Provence and future Louis XVIII, who was living in Petit Luxembourg, had this gallery closed in 1780: leaving to emigrate, he fled from the palace in June 1791.
During the French Revolution the palace was first abandoned and then moved as a national prison. After that it was the seat of the French Directory, and in 1799, the home of the Sénat conservateur and the first residence of Napoleon Bonaparte, as First Consul of the French Republic. The old apartments of Maria di Medici were altered. The floor, which the 80 senators only occupied in 1804, was built in the middle of the present Conference Hall.
Beginning in 1835 the architect Alphonse de Gisors added a new garden wing parallel to the old corps de logis, replicating the look of the original 17th-century facade so precisely that it is difficult to distinguish at first glance the old from the new. The new senate chamber was located in what would have been the courtyard area in-between.
The new wing included a library (bibliothèque) with a cycle of paintings (1845–1847) by Eugène Delacroix. In the 1850s, at the request of Emperor Napoleon III, Gisors created the highly decorated Salle des Conférences, which influenced the nature of subsequent official interiors of the Second Empire, including those of the Palais Garnier.
During the German occupation of Paris (1940–1944), Hermann Göring took over the palace as the headquarters of the Luftwaffe in France, taking for himself a sumptuous suite of rooms to accommodate his visits to the French capital. Since 1958 the Luxembourg palace has been the seat of the French Senate of the Fifth Republic.