St. Elizabeth Church

Nuremberg, Germany

St. Elizabeth's church was dedicated to Elizabeth of Hungary in 1235. After the Reformation, this was the only Roman Catholic church in the Protestant city of Nuremberg. It soon became inadequate for its congregation, and the church entered into protracted negotiations with the city magistrate, which lasted from 1718 to 1780. Finally agreement was reached for a new church, and the old one was demolished in 1784.

Franz Ignaz Michael Neumann, son of Balthasar Neumann, drew up plans for the new building. The foundation stone was laid on 19 May 1785. Neumann died on 29 September 1789, and responsibility was taken over by Peter Anton von Verschaffelt. However, a large overrun in costs led to the resignation of Verschaffelt in 1789. Eventually topping off was completed in 1802 and in 1803 the dome was crowned with a golden cross.

In 1806 the church was secularised. On 27 January 1885, the Roman Catholic Archdiocese of Bamberg purchased the church, and further work was done to complete the church to the original plans. It was eventually completed in 1903.

References:

Comments

Your name



Details

Founded: 1785
Category: Religious sites in Germany
Historical period: Emerging States (Germany)

More Information

en.wikipedia.org

Rating

4.4/5 (based on Google user reviews)

User Reviews

István Jámbor (3 years ago)
Fantastic
Michael Evans (3 years ago)
Easy to travel through while visiting from out of town.
Hani Alabdullah (4 years ago)
Nice place to visit
Tom Humphreys (4 years ago)
great to visit for the dome . otherwise not much
Elie Youssef (4 years ago)
nice place
Powered by Google

Featured Historic Landmarks, Sites & Buildings

Historic Site of the week

Palazzo Colonna

The Palazzo Colonna is a palatial block of buildings built in part over ruins of an old Roman Serapeum, and has belonged to the prestigious Colonna family for over twenty generations.

The first part of the palace dates from the 13th century, and tradition holds that the building hosted Dante in his visit to Rome. The first documentary mention notes that the property hosted Cardinal Giovanni and Giacomo Colonna in the 13th century. It was also home to Cardinal Oddone Colonna before he ascended to the papacy as Martin V (1417–1431).

With his passing, the palace was sacked during feuds, and the main property passed into the hands of the Della Rovere family. It returned to the Colonna family when Marcantonio I Colonna married Lucrezia Gara Franciotti Della Rovere, the niece of pope Julius II. The Colonna"s alliance to the Habsburg power, likely protected the palace from looting during the Sack of Rome (1527).

Starting with Filippo Colonna (1578–1639) many changes have refurbished and create a unitary complex around a central garden. Architects including Girolamo Rainaldi and Paolo Marucelli labored on specific projects. Only in the 17th and 18th centuries were the main facades completed. Much of this design was completed by Antonio del Grande (including the grand gallery), and Girolamo Fontana (decoration of gallery). In the 18th century, the long low facade designed by Nicola Michetti with later additions by Paolo Posi with taller corner blocks (facing Piazza Apostoli) was constructed recalls earlier structures resembling a fortification.

The main gallery (completed 1703) and the masterful Colonna art collection was acquired after 1650 by both the cardinal Girolamo I Colonna and his nephew the Connestabile Lorenzo Onofrio Colonna and includes works by Lorenzo Monaco, Domenico Ghirlandaio, Palma the Elder, Salviati, Bronzino, Tintoretto, Pietro da Cortona, Annibale Carracci (painting of The Beaneater), Guercino, Francesco Albani, Muziano and Guido Reni. Ceiling frescoes by Filippo Gherardi, Giovanni Coli, Sebastiano Ricci, and Giuseppe Bartolomeo Chiari celebrate the role of Marcantonio II Colonna in the battle of Lepanto (1571). The gallery is open to the public on Saturday mornings.

The older wing of the complex known as the Princess Isabelle"s apartments, but once housing Martin V"s library and palace, contains frescoes by Pinturicchio, Antonio Tempesta, Crescenzio Onofri, Giacinto Gimignani, and Carlo Cesi. It contains a collection of landscapes and genre scenes by painters like Gaspard Dughet, Caspar Van Wittel (Vanvitelli), and Jan Brueghel the Elder.

Along with the possessions of the Doria-Pamphilij and Pallavacini-Rospigliosi families, this is one of the largest private art collections in Rome.