Male Castle was almost entirely rebuilt and restored after the destruction of World War II. It has housed St. Trudo's Abbey since 1954.
The castle's origins date back to the 9th century, as a defensive tower for protection of the territory around Bruges against the Vikings. Male was held by Philip of Alsace, Count of Flanders, between 1168 and 1191, who replaced the wooden structure with one built of stone, which included a chapel consecrated by the exiled archbishop of Canterbury, Thomas Becket, in 1166.
The castle was a residence of the Counts of Flanders (in 1329 it was the birthplace of Count Louis II, sometimes known as Louis of Male) but was also a stronghold in a much-disputed terrain. French forces occupied it. The city of Bruges retook it from its French garrison in the uprising of 1302. Soldiers from Ghent razed it in 1382 and after it had been rebuilt, ransacked it again in 1453. In 1473 it was burnt out and once again rebuilt: the present keep dates from that rebuilding, and stands with its foundations directly in the moat, now flanked by symmetrical wings. The castle was plundered yet again in 1490 by the forces of the Count of Nassau.
When Flanders became a part of the Burgundian Netherlands Male retained its importance. During the Spanish occupation of the Low Countries, the citadel was sold in 1558 by Philip II to Juan Lopez Gallo.
It was occupied by German troops in both world wars, and was severely damaged. The castle was comprehensively restored after World War II and since 1954 has accommodated St. Trudo's Abbey, a house of the Canonesses Regular of the Holy Sepulchre.References:
The Church of St Eustace was built between 1532-1632. St Eustace"s is considered a masterpiece of late Gothic architecture. The church’s reputation was strong enough of the time for it to be chosen as the location for a young Louis XIV to receive communion. Mozart also chose the sanctuary as the location for his mother’s funeral. Among those baptised here as children were Richelieu, Jeanne-Antoinette Poisson, future Madame de Pompadour and Molière, who was also married here in the 17th century. The last rites for Anne of Austria, Turenne and Mirabeau were pronounced within its walls. Marie de Gournay is buried there.
The origins of Saint Eustache date back to 13th century. The church became a parish church in 1223, thanks to a man named Jean Alais who achieved this by taxing the baskets of fish sold nearby, as granted by King Philip Augustus. To thank such divine generosity, Alais constructed a chapel dedicated to Sainte-Agnès, a Roman martyr. The construction of the current church began in 1532, the work not being finally completed until 1637. The name of the church refers to Saint Eustace, a Roman general of the second century AD who was burned, along with his family, for converting to Christianity, and it is believed that it was the transfer of a relic of Saint Eustache from the Abbey to Saint-Denis to the Church of Saint Eustache which resulted in its naming. Jeanne Baptiste d"Albert de Luynes was baptised here.
According to tourist literature on-site, during the French Revolution the church, like most churches in Paris, was desecrated, looted, and used for a time as a barn. The church was restored after the Revolution had run its course and remains in use today. Several impressive paintings by Rubens remain in the church today. Each summer, organ concerts commemorate the premieres of Berlioz’s Te Deum and Liszt’s Christus here in 1886.
The church is an example of a Gothic structure clothed in Renaissance detail. The church is relatively short in length at 105m, but its interior is 33.45m high to the vaulting. At the main façade, the left tower has been completed in Renaissance style, while the right tower remains a stump. The front and rear aspects provide a remarkable contrast between the comparatively sober classical front and the exuberant rear, which integrates Gothic forms and organization with Classical details. The L"écoute sculpture by Henri de Miller appears outside the church, to the south. A Keith Haring sculpture stands in a chapel of the church.
The Chapel of the Virgin was built in 1640 and restored from 1801 to 1804. It was inaugurated by Pius VII on the 22nd of December, 1804 when he came to Paris for the coronation of Napoleon. The apse chapel, with a ribbed cul-de-four vault, has at its centre a sculpture of the Virgin and Child of Jean-Baptiste Pigalle that the painter Thomas Couture highlighted by three large paintings.
With 8,000 pipes, the organ is reputed to be the largest pipe organ in France, surpassing the organs of Saint Sulpice and Notre Dame de Paris. The organ originally constructed by P.-A. Ducroquet was powerful enough for the premiere of Hector Berlioz" titanic Te Deum to be performed at St-Eustache in 1855.