Murano Glass Museum, Venice, Italy

The Murano Glass Museum (Museo del Vetro) represents the the history of famous local Murano glass. The palace was the residence of the bishops of Torcello. It was originally built in the Gothic style as a patrician's palace. The building became the residence of Bishop Marco Giustinian in 1659. He later bought it and donated it to the Torcello diocese.

The Glass Museum was founded in 1861. The collection of the museum, one of the most complete in the world, ranges from antiquity to 20th century works including realizations by the famous Barovier & Toso glass company and glass textiles designed by Carlo Scarpa in the late thirties.

References:

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User Reviews

Jaume Mira (26 days ago)
Good recommendation if you have half a day. Amazing how they work!

Vivienne Walker (26 days ago)
Stunning. My photos do not convey the beauty. We enjoyed the glass blowing demonstration .... yes we did come home with gifts.

Shannon Wentworth (39 days ago)
The museum itself is housed in a beautiful palazzo with stunning decor. The glass collection is quite varied and shows examples of glass pieces through time. The museum is worth a stop if you are a fan of quality glasswork.

Ault Nathanielsz (47 days ago)
A thorough overview of the history and styles of glass making in Murano. Worth a visit if this is of interest to you. If it does not interest you, save your money and your time.

Guillaume BONO (3 months ago)
A fine museum with quite a lot to see.. I would just regret the lack of "interactivity", like seeing things crafted or restored, and not just as a video.. and even if there is no glassblower, that we could have some reconstitution of a workshop maybe. But otherwise very interesting and eye-pleasing

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Church of Our Lady before Týn

The Church of Our Lady before Týn is a dominant feature of the Old Town of Prague and has been the main church of this part of the city since the 14th century. The church's towers are 80 m high and topped by four small spires.

In the 11th century, this area was occupied by a Romanesque church, which was built there for foreign merchants coming to the nearby Týn Courtyard. Later it was replaced by an early Gothic Church of Our Lady before Týn in 1256. Construction of the present church began in the 14th century in the late Gothic style under the influence of Matthias of Arras and later Peter Parler. By the beginning of the 15th century, construction was almost complete; only the towers, the gable and roof were missing. The church was controlled by Hussites for two centuries, including John of Rokycan, future archbishop of Prague, who became the church's vicar in 1427. The roof was completed in the 1450s, while the gable and northern tower were completed shortly thereafter during the reign of George of Poděbrady (1453–1471). His sculpture was placed on the gable, below a huge golden chalice, the symbol of the Hussites. The southern tower was not completed until 1511, under architect Matěj Rejsek.

After the lost Battle of White Mountain (1620) began the era of harsh recatholicisation (part of the Counter-Reformation). Consequently, the sculptures of 'heretic king' George of Poděbrady and the chalice were removed in 1626 and replaced by a sculpture of the Virgin Mary, with a giant halo made from by melting down the chalice. In 1679 the church was struck by lightning, and the subsequent fire heavily damaged the old vault, which was later replaced by a lower baroque vault.

Renovation works carried out in 1876–1895 were later reversed during extensive exterior renovation works in the years 1973–1995. Interior renovation is still in progress.

The northern portal is a wonderful example of Gothic sculpture from the Parler workshop, with a relief depicting the Crucifixion. The main entrance is located on the church's western face, through a narrow passage between the houses in front of the church.

The early baroque altarpiece has paintings by Karel Škréta from around 1649. The oldest pipe organ in Prague stands inside this church. The organ was built in 1673 by Heinrich Mundt and is one of the most representative 17th-century organs in Europe.

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