San Vincenzo church is located in the historic part of the town, in front of Tolomeo Gallio square, a few steps away from the lake. We can date the origin of the church back to 1150, a pastoral visit of Bishop Niguarda that took place in 1593, described the building as small and modest. The Romanesque church was rebuilt between 1758 and 1775 and consecrated by Bishop Mugiasca. The red and white facade in Baroque style was built in 1861 thanks to the efforts and donations of Monsignor Gianorini, resident in Cernobbio.
The interior of the church is structured with a single nave, has two side altars in marble. On the right altar there is a statue of Our Lady of Sorrows, the left one is dominated by a beautiful wooden statue depicting Santa Marta; the portal side niches house two statues of Saint Constantine and Saint Hippolytus. On the vault of the church, frescoed by the painters Lietti and Torildo Conconi, are depicted a Glory of Angels and the Four Evangelists, on the side walls there are frescoes of the life of St. Laurence and St. Vincent.
The gilded wooden altar is a copy of the valuable work destroyed in a fire in 1978, the organ (Bernasconi) is placed in the counter of the church, at the back of the nave we find the statues of St. Ambrose of St. Abbundius and dating to 1863.
Worth of note is the beautiful Processional Cross of 1500, a masterpiece of the goldsmith's art of Francesco Ser Gregorio. Since 1935 the church of St. Vincent ceased its role as a parish church in Cernobbio, in its place now there is the new church of the Most Holy Redeemer. In 2005, with a valuable work of restoration have been restored the bell tower, the vault and the facade.
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Rosenborg Palace was built in the period 1606-34 as Christian IV’s summerhouse just outside the ramparts of Copenhagen. Christian IV was very fond of the palace and often stayed at the castle when he resided in Copenhagen, and it was here that he died in 1648. After his death, the palace passed to his son King Frederik III, who together with his queen, Sophie Amalie, carried out several types of modernisation.
The last king who used the place as a residence was Frederik IV, and around 1720, Rosenborg was abandoned in favor of Frederiksborg Palace.Through the 1700s, considerable art treasures were collected at Rosenborg Castle, among other things items from the estates of deceased royalty and from Christiansborg after the fire there in 1794.
Soon the idea of a museum arose, and that was realised in 1833, which is The Royal Danish Collection’s official year of establishment.