St. Cecilia's Church (Cäcilienkirche) is one of the twelve Romanesque churches in Cologne’s old city. The present building, little changed since its inception, dates from 1130-60.
The origin of the church building stems from the 9th century, during which a women’s home of the same name was founded at the site, during the reign of Archbishop Willibert in 870-888. It was built on the ruins of a prior Roman bath. From documentation of the home in 965, it is known that Bruno the Great, archbishop of Cologne, designated 50 pounds of silver for the completion of the church building. The original was renovated in the 12th century to suit a romanesque style, and distinguishes itself from the other Romanesque churches in Cologne through its relatively modest size and decoration.
Through resources originally designated for another church, the interior of St Cecilia's was renovated during the late 15th century. The main entrance was also changed in the 19th century, and given a new entry in the Neo-Romantic style. It remains on site, but is now walled up to suit the needs of the Schnütgen Museum.
For a time, the building was also adjacedent to the first hospital in Cologne, for which the church offered services as a chapel. The hospital is no longer present, as the Church now stands next to the Rautenstrauch-Joest Museum.
Though it is currently used mainly as museum of medieval art, the church celebrates two masses each year, one at Christmas and the other on the feast day of St. Cecilia.
Since 1956, the church has been the home of the Schnütgen Museum for medieval art.
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The Church of Our Lady before Týn is a dominant feature of the Old Town of Prague and has been the main church of this part of the city since the 14th century. The church's towers are 80 m high and topped by four small spires.
In the 11th century, this area was occupied by a Romanesque church, which was built there for foreign merchants coming to the nearby Týn Courtyard. Later it was replaced by an early Gothic Church of Our Lady before Týn in 1256. Construction of the present church began in the 14th century in the late Gothic style under the influence of Matthias of Arras and later Peter Parler. By the beginning of the 15th century, construction was almost complete; only the towers, the gable and roof were missing. The church was controlled by Hussites for two centuries, including John of Rokycan, future archbishop of Prague, who became the church's vicar in 1427. The roof was completed in the 1450s, while the gable and northern tower were completed shortly thereafter during the reign of George of Poděbrady (1453–1471). His sculpture was placed on the gable, below a huge golden chalice, the symbol of the Hussites. The southern tower was not completed until 1511, under architect Matěj Rejsek.
After the lost Battle of White Mountain (1620) began the era of harsh recatholicisation (part of the Counter-Reformation). Consequently, the sculptures of 'heretic king' George of Poděbrady and the chalice were removed in 1626 and replaced by a sculpture of the Virgin Mary, with a giant halo made from by melting down the chalice. In 1679 the church was struck by lightning, and the subsequent fire heavily damaged the old vault, which was later replaced by a lower baroque vault.
Renovation works carried out in 1876–1895 were later reversed during extensive exterior renovation works in the years 1973–1995. Interior renovation is still in progress.
The northern portal is a wonderful example of Gothic sculpture from the Parler workshop, with a relief depicting the Crucifixion. The main entrance is located on the church's western face, through a narrow passage between the houses in front of the church.
The early baroque altarpiece has paintings by Karel Škréta from around 1649. The oldest pipe organ in Prague stands inside this church. The organ was built in 1673 by Heinrich Mundt and is one of the most representative 17th-century organs in Europe.