The Dominican Monastery of Santo Tomás was built under the patronage of Hernando Núñez de Arnalte (treasurer of the Catholic Monarchs), his wife, María Dávila, the Inquisitor Fray Tomás de Torquemada and the Catholic Monarchs.
The work began in 1482 and was completed in 1493; however, at the Catholic Monarchs' initiative, a palace was built around the eastern cloister, together with the sepulchre of Prince Juan in the church after he had died in 1497.
As a see for the Inquisition, the University of Santo Tomás was opened in the 16th century and remained in operation until the 19th century. The monastery has been attacked many times throughout its history: sacked during the French invasion, abandoned after the sale of church lands ordered by Mendizábal and destroyed by fires in 1699 and 1936.
The church front is based on a segmental arch and two buttresses that run through the arch vertically. The subtlety is broken by the existence of a huge rose window and the no less imposing coat of arms of the Catholic Monarchs. The decoration is completed with 10 sculptures by Gil de Siloé.
The interior stands out thanks to the elegance of the main nave and the ramifications of the ribs that make up the vault above the transept, marking off the area dedicated to the sepulchre of Prince Juan. The complex has three cloisters.
References:Rosenborg Palace was built in the period 1606-34 as Christian IV’s summerhouse just outside the ramparts of Copenhagen. Christian IV was very fond of the palace and often stayed at the castle when he resided in Copenhagen, and it was here that he died in 1648. After his death, the palace passed to his son King Frederik III, who together with his queen, Sophie Amalie, carried out several types of modernisation.
The last king who used the place as a residence was Frederik IV, and around 1720, Rosenborg was abandoned in favor of Frederiksborg Palace.Through the 1700s, considerable art treasures were collected at Rosenborg Castle, among other things items from the estates of deceased royalty and from Christiansborg after the fire there in 1794.
Soon the idea of a museum arose, and that was realised in 1833, which is The Royal Danish Collection’s official year of establishment.