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Built outside the walls to the north of the town, Santa María de la Cabeza was consecrated in 1210 and is the last example of the Romanesque style in Ávila. Its upper end was begun in Romanesque style and was followed by the construction of the naves in unquestionable Mudejar style. The three apses, which open into three naves, were built in granite on the outside and finished off with a small, plain cornice in Caleno granite.
The three-nave body with double formerets in brick, the arches in the chapels in the apses and the distribution of the south front point to a later date and to the Mudejar tradition. The south front is finished off with a small steeple and a triangular front with a niche containing the statue of the Madonna of La Cabeza. The west entrance was crowned with a solid-built steeple in 1708.
The sculptures that decorate the fascias in the presbytery are characterised by plaits with diamond-shaped tips and reveal the influence of traditional Islamic motifs.
In 1834, the municipal cemetery was moved to this area of the town and the church was used as a chapel. It was later downgraded to a shrine when the cemetery was moved to its current location in the 20th century.
References:Visby Cathedral (also known as St. Mary’s Church) is the only survived medieval church in Visby. It was originally built for German merchants and inaugurated in 1225. Around the year 1350 the church was enlarged and converted into a basilica. The two-storey magazine was also added then above the nave as a warehouse for merchants.
Following the Reformation, the church was transformed into a parish church for the town of Visby. All other churches were abandoned. Shortly after the Reformation, in 1572, Gotland was made into its own Diocese, and the church designated its cathedral.
There is not much left of the original interior. The font is made of local red marble in the 13th century. The pulpit was made in Lübeck in 1684. There are 400 graves under the church floor.