Cappella Sansevero, Naples, Italy

The Cappella Sansevero contains works of art by some of the leading Italian artists of the 18th century.

Its origin dates to 1590 when John Francesco di Sangro, Duke of Torremaggiore, after recovering from a serious illness, had a private chapel built in what were then the gardens of the nearby Sansevero family residence, the Palazzo Sansevero. The building was converted into a family burial chapel by Alessandro di Sangro in 1613 (as inscribed on the marble plinth over the entrance to the chapel). Definitive form was given to the chapel by Raimondo di Sangro, Prince of Sansevero, who also included Masonic symbols in its reconstruction. Until 1888 a passageway connected the Sansevero palace with the chapel.

The chapel houses almost thirty works of art, among which are three idiosyncratic sculptures. These statues are emblematic of the love of decoration in late-Baroque, and are made of a marble-like substance that, in whole or in part, was invented by Raimondo. Raimondo also participated in the design of the works of art in the chapel. The Veiled Truth (Pudizia, also called Modesty or Chastity) was completed by Antonio Corradini in 1750 as a tomb monument dedicated to Cecilia Gaetani dell'Aquila d'Aragona, mother of Raimondo. A Christ Veiled under a Shroud (also called Veiled Christ), shows the influence of the veiled Modesty, and was completed in 1753 by Giuseppe Sanmartino. The Release from Deception (Disinganno) by Francesco Queirolo of Genoa serves as a monument to Raimondo's father.

References:

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Religious sites in Italy

User Reviews

Salvador Menjivar (17 months ago)
Without any hesitation the most noble of churches mixing norman architecture with other styles over the centuries but due to sympathetic restorations it has been brought back to its most essential beauty. The catacombs adjacent are also worth a visit to give you a real sense of the intricate layers of history upon which it was built.

Deborah McRitchie (18 months ago)
The veiled Christ is the most moving piece of sculpture I've ever seen. Breathtaking! The other sculptures are great too. Don't miss it.

luke matarazzo (18 months ago)
This is a must see in Napoli, just for the Veiled Christ. There were several times I got lost looking at certain parts of this sculpture and really thought it was real from the intense detail. It's insane! I recommend buying your ticket online so you can be in the fast line which moved much more quickly than the other one (for 1 extra Euro). And make sure you get the audio guide. It gives some good info about the place which really helps you appreciate it more.

Hagop Araklian (19 months ago)
This is one of the astonishing places I have ever been. Unfortunately photos and recording prohibited. But nevertheless I did enjoy just observing the masterpiece. It cots 7Euros and in general inside you will find nothing as interesting as this spectacular sculpture of the veiled Christ. But it worth the money.

Calvin Zito (19 months ago)
I'm not a huge student of art but the sculpture of the Veiled Christ at this church is amazing. It literally looks like Jesus coming through a veil - but it is marble. While the Veiled Christ is alone worth the admission, it's definitely worth spending at least an hour here looking at everything. I would recommend getting the audio guide as there are a lot of interesting facts about the history of Sanservero that you won't pick up on from the signboards that have very limited descriptions.

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Photo from Flickr, copyright Maciek Lulko

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Wroclaw Town Hall

The Old Town Hall of Wrocław is one of the main landmarks of the city. The Old Town Hall's long history reflects developments that have taken place in the city since its initial construction. The town hall serves the city of Wroclaw and is used for civic and cultural events such as concerts held in its Great Hall. In addition, it houses a museum and a basement restaurant.

The town hall was developed over a period of about 250 years, from the end of 13th century to the middle of 16th century. The structure and floor plan changed over this extended period in response to the changing needs of the city. The exact date of the initial construction is not known. However, between 1299 and 1301 a single-storey structure with cellars and a tower called the consistory was built. The oldest parts of the current building, the Burghers’ Hall and the lower floors of the tower, may date to this time. In these early days the primary purpose of the building was trade rather than civic administration activities.

Between 1328 and 1333 an upper storey was added to include the Council room and the Aldermen’s room. Expansion continued during the 14th century with the addition of extra rooms, most notably the Court room. The building became a key location for the city’s commercial and administrative functions.

The 15th and 16th centuries were times of prosperity for Wroclaw as was reflected in the rapid development of the building during that period. The construction program gathered momentum, particularly from 1470 to 1510, when several rooms were added. The Burghers’ Hall was re-vaulted to take on its current shape, and the upper story began to take shape with the development of the Great Hall and the addition of the Treasury and Little Treasury.

Further innovations during the 16th century included the addition of the city’s Coat of arms (1536), and the rebuilding of the upper part of the tower (1558–59). This was the final stage of the main building program. By 1560, the major features of today’s Stray Rates were established.

The second half of the 17th century was a period of decline for the city, and this decline was reflected in the Stray Rates. Perhaps by way of compensation, efforts were made to enrich the interior decorations of the hall. In 1741, Wroclaw became a part of Prussia, and the power of the City diminished. Much of the Stray Rates was allocated to administering justice.

During the 19th century there were two major changes. The courts moved to a separate building, and the Rates became the site of the city council and supporting functions. There was also a major program of renovation because the building had been neglected and was covered with creeping vines. The town hall now has several en-Gothic features including some sculptural decoration from this period.

In the early years of the 20th century improvements continued with various repair work and the addition of the Little Bear statue in 1902. During the 1930s, the official role of the Rates was reduced and it was converted into a museum. By the end of World War II Town Hall suffered minor damage, such as aerial bomb pierced the roof (but not exploded) and some sculptural elements were lost. Restoration work began in the 1950s following a period of research, and this conservation effort continued throughout the 20th century. It included refurbishment of the clock on the east facade.

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