The Crypta Neapolitana is an ancient Roman tunnel near Naples. It was built in 37 BC, and is over 700 metres long.
The tunnel passes beneath the Posillipo hill and connects Naples with the so-called Phlegrean Fields and the town of Pozzuoli along the road known as the via Domiziana.
The eastern Piedigrotta entrance is now enclosed within an archaeological park, and the site of the villa of Vedius Pollio, and later imperial villa. The site is also noteworthy for the presence of the so-called Virgil's tomb, as well as the tomb of the Italian poet Giacomo Leopardi. Three secondary tunnels end in openings overhanging the bay, providing light and ventilation.
The name Grotta Seiano (Sejanus's cave) comes from the infamous Lucius Aelius Sejanus, prefect of Tiberius, who according to tradition, commissioned its enlargement in the first century AD. The first tunnel was built by the architect Lucius Cocceius Auctus for Agrippa during the civil war between Octavian and Sextus Pompeius in c.37 BC to connect the villa of Vedius Pollio and other patrician villas of Pausilypon (ancient Posillipo) to the ports of Puteoli and Cumae. The tunnel is one of a number of such works in the Naples area built by Cocceius.
The tunnel was still in use as a roadway until superseded by two modern tunnels in the early 20th century, and shows extensive restoration done by the architects of the Bourbon dynasty of Naples. During the Second World War it was used as a bomb shelter for the inhabitants of Bagnoli; the war and some landslides during the fifties put it back into a state of neglect. Today it has been restored as an archaeological site.
References:Rosenborg Palace was built in the period 1606-34 as Christian IV’s summerhouse just outside the ramparts of Copenhagen. Christian IV was very fond of the palace and often stayed at the castle when he resided in Copenhagen, and it was here that he died in 1648. After his death, the palace passed to his son King Frederik III, who together with his queen, Sophie Amalie, carried out several types of modernisation.
The last king who used the place as a residence was Frederik IV, and around 1720, Rosenborg was abandoned in favor of Frederiksborg Palace.Through the 1700s, considerable art treasures were collected at Rosenborg Castle, among other things items from the estates of deceased royalty and from Christiansborg after the fire there in 1794.
Soon the idea of a museum arose, and that was realised in 1833, which is The Royal Danish Collection’s official year of establishment.