San Francesco di Paola church is located at the west side of Piazza del Plebiscito, the city's main square. In the early 19th century, King Joachim Murat of Naples (Napoleon's brother-in-law) planned the entire square and the large building with the colonnades as a tribute to the emperor. When Napoleon was finally dispatched, the Bourbons were restored to the throne of Naples. Ferdinand I continued the construction - finished in 1816 - but converted the final product into the church one sees today. He dedicated it to Saint Francis of Paola, who had stayed in a monastery on this site in the 16th century.
The church is reminiscent of the Pantheon in Rome. The façade is fronted by a portico resting on six columns and two Ionic pillars. Inside, the church is circular with two side chapels. The dome is 53 metres high.
The interior has a number of statues: a San Giovanni Crisostomo by Gennaro Calì, Sant'Ambrogio by Tito Angelini, St Luke by Antonio Calì, a St Matthew by Carlo Finelli, a St John Evangelist by Pietro Tenerani, St Mark by Giuseppe de Fabris, a Sant'Agostino by Tommaso Arnaud, and a Sant'Attanasio by Angelo Solani.
In the chapels on the right, there are the following altarpieces: San Nicola da Tolentino and St Francis of Paola receives a stem of charity from an Angel, by Nicola Carta, Final Communion of San Ferdinando di Castiglia by Pietro Benvenuti, a Transit di St Joseph by Camillo Gerra, the Immaculate Conception and the death of Sant'Andrea Avellino by Tommaso de Vivo.
Before the main altar, is a 1641 work by Anselmo Cangiano, transferred here in 1835, from the church of the Santi Apostoli. In the apse is a painting of St Francis of Paola resuscitates a dead man by Vincenzo Camuccini. In the sacristy is an Immaculate Conception by Gaspare Landi and a Circumcision of Jesus by Antonio Campi.References:
Easter Aquhorthies stone circle, located near Inverurie, is one of the best-preserved examples of a recumbent stone circle, and one of the few that still have their full complement of stones. It consists of a ring of nine stones, eight of which are grey granite and one red jasper. Two more grey granite stones flank a recumbent of red granite flecked with crystals and lines of quartz. The circle is particularly notable for its builders' use of polychromy in the stones, with the reddish ones situated on the SSW side and the grey ones opposite.
The placename Aquhorthies derives from a Scottish Gaelic word meaning 'field of prayer', and may indicate a 'long continuity of sanctity' between the Stone or Bronze Age circle builders and their much later Gaelic successors millennia later. The circle's surroundings were landscaped in the late 19th century, and it sits within a small fenced and walled enclosure. A stone dyke, known as a roundel, was built around the circle some time between 1847 and 1866–7.