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San Francesco di Paola church is located at the west side of Piazza del Plebiscito, the city's main square. In the early 19th century, King Joachim Murat of Naples (Napoleon's brother-in-law) planned the entire square and the large building with the colonnades as a tribute to the emperor. When Napoleon was finally dispatched, the Bourbons were restored to the throne of Naples. Ferdinand I continued the construction - finished in 1816 - but converted the final product into the church one sees today. He dedicated it to Saint Francis of Paola, who had stayed in a monastery on this site in the 16th century.
The church is reminiscent of the Pantheon in Rome. The façade is fronted by a portico resting on six columns and two Ionic pillars. Inside, the church is circular with two side chapels. The dome is 53 metres high.
The interior has a number of statues: a San Giovanni Crisostomo by Gennaro Calì, Sant'Ambrogio by Tito Angelini, St Luke by Antonio Calì, a St Matthew by Carlo Finelli, a St John Evangelist by Pietro Tenerani, St Mark by Giuseppe de Fabris, a Sant'Agostino by Tommaso Arnaud, and a Sant'Attanasio by Angelo Solani.
In the chapels on the right, there are the following altarpieces: San Nicola da Tolentino and St Francis of Paola receives a stem of charity from an Angel, by Nicola Carta, Final Communion of San Ferdinando di Castiglia by Pietro Benvenuti, a Transit di St Joseph by Camillo Gerra, the Immaculate Conception and the death of Sant'Andrea Avellino by Tommaso de Vivo.
Before the main altar, is a 1641 work by Anselmo Cangiano, transferred here in 1835, from the church of the Santi Apostoli. In the apse is a painting of St Francis of Paola resuscitates a dead man by Vincenzo Camuccini. In the sacristy is an Immaculate Conception by Gaspare Landi and a Circumcision of Jesus by Antonio Campi.
References:Lübeck Cathedral is a large brick-built Lutheran cathedral in Lübeck, Germany and part of the Lübeck UNESCO World Heritage Site. In 1173 Henry the Lion founded the cathedral to serve the Diocese of Lübeck, after the transfer in 1160 of the bishop's seat from Oldenburg in Holstein under bishop Gerold. The then Romanesque cathedral was completed around 1230, but between 1266 and 1335 it was converted into a Gothic-style building with side-aisles raised to the same height as the main aisle.
On the night of Palm Sunday (28–29 March) 1942 a Royal Air Force bombing raid destroyed a fifth of the town centre. Several bombs fell in the area around the church, causing the eastern vault of the quire to collapse and destroying the altar which dated from 1696. A fire from the neighbouring cathedral museum spread to the truss of the cathedral, and around noon on Palm Sunday the towers collapsed. An Arp Schnitger organ was lost in the flames. Nevertheless, a relatively large portion of the internal fittings was saved, including the cross and almost all of the medieval polyptychs. In 1946 a further collapse, of the gable of the north transept, destroyed the vestibule almost completely.
Reconstruction of the cathedral took several decades, as greater priority was given to the rebuilding of the Marienkirche. Work was completed only in 1982.
The cathedral is unique in that at 105 m, it is shorter than the tallest church in the city. This is the consequence of a power struggle between the church and the guilds.
The 17 m crucifix is the work of the Lübeck artist Bernt Notke. It was commissioned by the bishop of Lübeck, Albert II. Krummendiek, and erected in 1477. The carvings which decorate the rood screen are also by Notke.
Since the war, the famous altar of Hans Memling has been in the medieval collection of the St. Annen Museum, but notable polyptychs remain in the cathedral.
In the funeral chapels of the southern aisle are Baroque-era memorials by the Flemish sculptor Thomas Quellinus.