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The Communal Palace is situated at the northern end of the main square of the old part of the City of Pula, called the Forum Square. The spot occupied by the Palace has been used for the public buildings since Ancient Rome, when the place was used as a part of a triade of Roman temples, of which today only the Temple of Augustus remains. The eastern of these temples, called the Temple of Diana, was used as a rudimentary city hall from the 9th century.
As the city prospered, there was a need to construct a dedicated place which would serve as a city hall, so the construction of the new city hall at the site of the Temple of Diana began near the end of the 13th century, and the new city hall was finished in 1296.
The building was constructed in Gothic style using the material of the old Roman temples and other building on the site, retaining their walls when possible. Even today, the whole northern part of the Temple of Diana is clearly visible at the back side of the Communal Palace.
Since the construction, the Communal Palace has seen numerous reconstructions. At the end of the 15th century the building was reconstructed in Renaissance style and during the 17th century, the building was again reconstructed, now in Baroque style.
The present state of building is due to several reconstructions made during the 19th and 20th centuries, the last of which was finished in 1988.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.