The Basilica church of St. Ursula was is built upon the ancient ruins of a Roman cemetery. The church has an impressive reliquary created from the bones of the former occupants of the cemetery. It is one of the twelve Romanesque churches of Cologne and was designated a Minor Basilica in 1920. While the nave and crossing tower are Romanesque, the choir has been rebuilt in the Gothic style.
The Golden Chamber, or Goldene Kammer, of the church contains the alleged remains of St. Ursula and her 11,000 virgins who are said to have been killed by the Huns, possibly around the time of the Battle of the Catalaunian Plains. The original legend said only 11 virgins accompanied St. Ursula but the number grew over time, eventually to 11,000. The walls of the Golden Chamber are covered in bones arranged in designs and/or letters along with relic skulls. The exact number of people whose remains are in the Golden Chamber remains ambiguous but the number of skulls in the reliquary is greater than 11 and less than 11,000. These remains were found in 1106 in a mass grave and were assumed to be those of the legend of St. Ursula and the 11,000 virgins. Therefore, the church constructed the Golden Chamber to house the bones. The bones themselves are neatly arranged in 'zigzags and swirls and even in the shapes of Latin words.'References:
The famous Italian Medici family have given two queens to France: Catherine, the spouse of Henry II, and Marie, widow of Henry IV, who built the current Luxembourg palace. Maria di Medici had never been happy at the Louvre, still semi-medieval, where the fickle king, did not hesitate to receive his mistresses. The death of Henry IV, assassinated in 1610, left the way open for Marie's project. When she became regent, she was able to give special attention to the construction of an imposing modern residence that would be reminiscent of the Palazzo Pitti and the Boboli Gardens in Florence, where she grew up. The development of the 25-hectare park, which was to serve as a jewel-case for the palace, began immediately.
The architect, Salomon de Brosse, began the work in 1615. Only 16 years later was the palace was completed. Palace of Luxembourg affords a transition between the Renaissance and the Classical period.
In 1750, the Director of the King's Buildings installed in the wing the first public art-gallery in France, in which French and foreign canvases of the royal collections are shown. The Count of Provence and future Louis XVIII, who was living in Petit Luxembourg, had this gallery closed in 1780: leaving to emigrate, he fled from the palace in June 1791.
During the French Revolution the palace was first abandoned and then moved as a national prison. After that it was the seat of the French Directory, and in 1799, the home of the Sénat conservateur and the first residence of Napoleon Bonaparte, as First Consul of the French Republic. The old apartments of Maria di Medici were altered. The floor, which the 80 senators only occupied in 1804, was built in the middle of the present Conference Hall.
Beginning in 1835 the architect Alphonse de Gisors added a new garden wing parallel to the old corps de logis, replicating the look of the original 17th-century facade so precisely that it is difficult to distinguish at first glance the old from the new. The new senate chamber was located in what would have been the courtyard area in-between.
The new wing included a library (bibliothèque) with a cycle of paintings (1845–1847) by Eugène Delacroix. In the 1850s, at the request of Emperor Napoleon III, Gisors created the highly decorated Salle des Conférences, which influenced the nature of subsequent official interiors of the Second Empire, including those of the Palais Garnier.
During the German occupation of Paris (1940–1944), Hermann Göring took over the palace as the headquarters of the Luftwaffe in France, taking for himself a sumptuous suite of rooms to accommodate his visits to the French capital. Since 1958 the Luxembourg palace has been the seat of the French Senate of the Fifth Republic.